by Canadian Film Centre
The 67th Venice Film Festival will premiere the anticipated new action film, Machete, conceived as an expansion of the faux Grindhouse trailer, directed by Robert Rodriguez with Ethan Maniquis. The International Jury for the Competition at the 67th Venice International Film Festival has been selected, with American director and screenwriter Quentin Tarantino as president. American Director Julie Taymor’s The Tempest has been chosen as the closing night film (Out of Competition) for the close of the festival, September 11.
Each year the Salento International Film Festival introduces filmmakers worldwide to the Salento area’s resources, while celebrating the history and future of the film industry. This year the guest country is Mexico, and to celebrate the bicentenary of Mexican independence from Spain (1810 – 2010), and the centenary of Mexican revolution (1910-2010), Salento International Film Festival under the guidance of the Mexican Embassy in Italy will dedicate ample resources to the Mexican culture represented by its folklore, music, and traditional food. A traditional Mexican Fiesta Party happens September 3 while the festival continues till September 12.
UNESCO, the UN Office for Partnerships, and Wheel Houz combine efforts on International Literacy Day, Wednesday, September 8, for the Symposium, “Literacy: An Essential Foundation for Development” to be moderated by CBS News Chief National Correspondent and author, Bryon Pitts. Speakers include Laura Bush, Honorary Ambassador for the UN Literacy Decade; Irina Bokova, Director-General, UNESCO; and Jacob Atem, Founder, Home at Southern Sudan Health Care and former “Lost Boy of Sudan.” and creations by iconic 1970s pop artist, Peter Max. Seating is limited and early registration is strongly recommended.
Popkomm 2010 International Music Business Market and Showcase, presents artists to an international audience of interested specialists from the world of media and music at concerts and showcases in more than seven clubs and venues. Exhibiting labels are in attendance to showcase their artists who perform in all musical genres. There are three activity areas to Popkomm: B2C and B2B marketplaces, conference and festival â the live music segment of Popkomm. In 2010, Popkomm is an integral part of the first “Berlin Music Week”. Popkomm takes place in the historical (and decommissioned) Airport Berlin – Tempelhof, the world’s largest integrated building complex when it was built in 1923, and often referred to as the “mother of all airports”. It is still regarded third largest building in the world after Peking Airport and the Pentagon. The New Music Award together with the Popkomm opening party will take place at Airport Berlin – Tempelhof (entrance hall) on September 7, and the festival carries on through September 10.
The Americana Music Association is a professional trade organization whose mission is to provide a forum for the advocacy of Americana music, host a yearly Americana Conference, publish the weekly Americana Airplay Chart, produce the annual Americana Awards Show, participate in other industry events that advocate and support this genre of music noted as an amalgam of roots musics formed by a confluence of sounds from folk, country, rhythm & blues, rock & roll, but popularly referred to as alternative country. That includes the annual Convention & Festival, running this year, September 8-11 in Nashvillle.
SCENEPR!, a career event organizer and networking hub for media entrepreneurs and professionals working in independent film, launches its first major social event for the month, September 9, SoHo, New York, geared to a crowd made up of musical artists, filmmakers, photographers, models, and other creatives, to enjoy ambient sounds, exchange business cards and ideas. Attenders are also encouraged to bring headshots, postcards and other promotional material for distribution. With an international call for entries, the group is beginning a new short film series with subjects of any genre, shot in HD, titled, Cinematique, the first screening set for September 15 in Astoria. Then, on September 29, SCENEPR! presents “The Main Event,” a recurring event series for men (and women) who want to learn how to maximize their time, better their health, augment their careers, improve their looks/style, networking, education, male bonding, professional enrichment, and for fun.
BMI will present its President’s Award to founding member of the Black Eyed Peas, will.i.am, at the 10th Annual Urban Awards ceremony. The BMI President’s Award is presented on unique occasions recognizing an individual who has distinctly and profoundly influenced the entertainment industry. This honor celebrates will.i.am’s work as an artist, producer, and humanitarian. This invitation-only event will also honor the world’s premier r&b, rap and hip-hop songwriters, producers and publishers of the past year’s top urban music, as well as crown the Urban Songwriter, Song and Publisher of the Year. The Awards will be hosted by Del R. Bryant, President & CEO of BMI, and Catherine Brewton, Vice President, Writer/Publisher Relations, Atlanta.
A recurring theme for this year’s annual Martha’s Vineyard International Film Festival, September 9-12, is “Other Places”, and about 90% of film selections are non-US productions, helping to fulfill the festival mission of promoting cross-cultural understanding through film. Opening night there’s a sunset cocktail reception with live music on the roof of the Mansion House Inn overlooking Vineyard Haven harbor. Friday and Saturday night feature post-screening parties with world music, prepared appetizers, and refreshing drinks provided by festival sponsors. Closing night will be on the deck of the Vineyard Haven Marina where Festivalgoers will hear live bluegrass by Ballyhoo, appetizers by Vineyard faves Blue Canoe restaurant, Net Result, and Il Tesoro of the Charlotte Inn along with libations from the fest sponsors.
During this year’s 35th Toronto International Film Festival, opening September 9-19, industry professionals host the “Meet With…” series of informal and intimate information sessions on pressing topics in today’s film industry. The sessions give insight into the fundamentals of the business and craft of filmmaking. Filmmakers’ Lounge, formerly the Match Club, is a new meeting space for Festival filmmakers and industry professionals, and the site for panels and industry sessions as well as a place to meet, work, dine, have a drink and talk films. Now in its seventh year, Talent Lab is presented by Canadian Initiatives during the Toronto International Film Festival and is an intensive four-day artistic development program that provides emerging talent with an opportunity to learn from established film artists.
The West Coast Documentary and Reality Conference in Santa Monica, September 13-15, brings together accomplished producers, directors, writers, network executives, agents and distributors for stimulating discussions, as well as networking opportunities. WESTDOC runs two areas of professional interest, designated as The Documentary Village and The Reality Village. Attendees and speakers are able to take full advantage of both of these arenas and to select seminars from any village they choose. The third day of the conference is entirely devoted to PitchFest, a live presentation for Documentary and Reality producers to pitch new concepts to network and development executives for potential acquisition in front of a live audience.
The Oldenburg Film Festival is a non-competitive film festival, and embraces an “open” format for what it screens. There is a cinema-trailer part to the festival that is usually popular highlight, stressing off-beat innovations and ideas to stimulate the festival audience. Another feature of the festival, which goes from September 15-19, “Speed Pitch,” is overseen by the WirtschaftsfÃ¶rderung Oldenburg, which functions as an economic development zone, which is focusing on the promotion of creative businesses by creating networks between economic development agencies and creative entrepreneurs.
The Boston Film Festival opens September 17-23 this year. This year there will be a 35th Anniversary screening on Opening Weekend of Steven Spielberg’s legendary film Jaws, starring Roy Scheider, Richard Dreyfus. The festival’s Closing Night film is a special sneak preview of Iron Cross, a thriller starring the late Roy Scheider as Joseph, a retired New York police officer and Holocaust survivor. Evening receptions are hosted by the region’s signature chefs and restaurants where filmmakers are able to network, and for the festival’s closing night, special events will feature the recording Group Ernie and The Automatics with a special performance by James Montgomery.
As the annual Independent Film Week and Filmmaker Conference gets underway in New York, September 19-23, the Project Forum offers a meetings-driven forum connecting filmmakers who have new narrative and documentary projects with industry executives interested in identifying projects with which to become involved with at the financing or distribution stage. Another new section, IFP Independent Filmmaker Labs, will introduce and support “under-the-radar” new talents â first-time feature directors who have little previous industry exposure and live outside the film hubs of New York and LA â providing them with the access, mentorship and tools necessary to ensure that their unique stories reach audiences. Opening each day at the Filmmaker Conference, a “Conversations With…” series sponsored by Kodak, features one-on-one, in-depth discussions with luminary writers, directors, executives and new-media experts about their experiences in the industry and where filmmaking is heading next.
Held annually each fall in New York City, the birthplace of modern television, and this year from September 20-25, the New York Television Festival brings all interested parties together to celebrate the medium and to help shape its future. NYTVF’s Independent Pilot Competition has put in place a pipeline allowing producers, writers, and directors to showcase their original TV pilots directly to the decision-makers of the industry. Along with the Independent Pilot Competition, the Festival presents parties, seminars, and other special events designed to honor television as an institution and as an art form. Launched in 2007, the TV Festival PassPort Program offers an opportunity for outstanding TV producers, writers, and directors to showcase their work on an international stage through an exchange program.
Opening in Port of Spain September 22 and running through October 2, the trinidad + tobago film festival presented by FLOW and supported by Trinidad and Tobago Film Company, mounts an exhibition of films made in the Caribbean region, including Latin American countries in the Caribbean Basin, Caribbean people of the Diaspora, and international filmmakers that reflect Caribbean culture and way of life both in the Caribbean and the Diaspora. Also, continuing the ttff’s heritage initiative, that started last year with a focus on the cinema of India, the Festival is this year focusing on African cinema. Also, this year the ttff will present, in association with the Embassy of the Federative Republic of Brasil, a showcase of Brazilian cinema with Daniela Thomas who will be hosting a mini-retrospective of her work. During her slated time, she will be leading a workshop on directing feature length films with screenings of her work at Studio Film Club.
The Film Society of Lincoln Center opens the 48th New York Film Festival September 24, running it through October 10, in New York City. The Festival includes main slate program selections along with special events, panel discussions, the experimental film showcase, Views from the Avant-Garde, and more. The Film Society of Lincoln Center was founded in 1969 to celebrate American and international cinema, to recognize and support new filmmakers, and to enhance awareness, accessibility and understanding of the art among a broad and diverse film going audience. One NYFF special event will be, Cameraman: The Life and Work of Jack Cardiff, screening with A Matter of Life and Death and Dracula (George Melford, Director) the 1931 Spanish-language version of the classic tale freshly accompanied by an eerie live solo guitar performance by guitarist, composer, and Grammy-nominated songwriter Gary Lucas.
Opening in Nashville September 27 and running into October 3, International Bluegrass Music Association Week, the annual business conference for the bluegrass music industry with artist showcases, an exhibit hall totaling more than 100 booths, professional development seminars, member constituency meetings, one-on-one networking, and more. From October 1-3, certain highlighted activities will be, Fan Fest, an indoor music festival featuring performances by some of the industry’s top acts, a Masters Workshop Stage, a Roots & Branches Stage, exhibit hall, and scores of jam sessions. This year’s International Bluegrass Music Awards Show happens on September 30 of the event week. The After Hours presentations are part of the overall event, but are hosted by individual groups and organizations, and are ticketed and do require conference registration or a music pass to attend or take part in.
Organizers for the Pop Montreal International Music Festival claim to have an open interpretation of what pop music is, and so it admits a wide range of artists and genres. So as the program opens September 29, its FilmPop category will showcase, Dark Night Of The Soul is a music and visual art project put together by Danger Mouse, Sparklehorse and a host of guest vocalists with a collection of original David Lynch photography, who’s imagery is wholly inspired by and based on the music providing a visual narrative to the record. Then, aside from the music, Lil Biz, a small business conference for artists, designers and the self-employed, offers four workshops that are completely free. Puces Pop Record Fair, will be a two day Record Fair in the Mile End featuring volumes of record collectors, instrument repairs and international and local indie record labels. This event runs along side Puces POP, Montreal’s largest do-it-yourself festival where over one hundred local and international artists, crafters, and indie record labels come to sell their wares.
The above events are only a sample of what is fully listed. Complete details are on the “Media, Entertainment and Performing Arts Industry News and Events” page which will now have a language translation button to convert its contents into any chosen language. The companion video news summary can be found on the podcast blog as well as on the most popular video sharing sites. Last month the video news summary featured Grey Duck Production’s ‘The Telephone Game’, Matt Oakey of Toronto based music and film producers, Padded Cell Productions with âLittle Noise’, Indian Slap Bass master out of Kerala, India, Jayen Varma, Parisian film director Vince Bosco with latest work, âBeyond Love’, Pop Rock Â band out of Â SÃ£o Paulo, MegaRex. Follow the posting of the news summary on Twitter. Streaming video can now be played directly into your Real Media Player, and your Windows Media Player. Past video from the monthly video news summary is archived on the Free Home Video Showcase which now serves as an archive for all past video presentations but without the audio news narration.
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According to figures from FSSI, the Narnia films feature in the top five Hollywood franchises released in India, with the previous installment Prince Caspian collecting 270 million rupees ( million), putting it among the top 10 highest-grossing Hollywood films in India of all time.In September, Narnia series producer Mark Johnson previewed 30 minutes of his Dec. 10 release The Chronicles of Narnia: The Voyage of the Dawn Treader. One teenage fan, Johnson recalls, impressed him as “sweet and polite.” So when the lad e-mailed him with questions about the film, Johnson wrote back with detailed responses, discussing, among other things, the controversial addition of Gael, a character not in the original book. Ping! The recipient posted it in the form of an interview to the blog AslansCountry.com. “I saw it at 6 a.m., and I called my assistant to tell them to take it down,” Johnson says. “He has to learn you can’t take a private conversation and make it public.” The site complied and replaced the post with: “I’ve been asked to take the interview down until further notice.” But the cryptic message led readers to believe Johnson had revealed spoilers — which wasn’t the case, according to the producer. On further reflection, Johnson reversed course, and it was back up. Sounds like this kid might become a Hollywood reporter himself.
SEOUL — Foreign films performed poorly at the Korean box office in November, attracting 2.8 million admissions, according to the Korean Film Council.
Skyline, a sci-fi film about an alien invasion attracted 620,000 admissions, the only Hollywood film that sold over 500,000 tickets. The market share for foreign films remained at 34.8% in November.
The market share for Korean films, on the other hand, set a new record for market share with 65.2% and posted a box office gross of 40.3 billion won (.5 million). Haunters, an action thriller starring the duo of Kang Dong-won and Go Soo attracted 2.03 admissions. Overall the market share for Korean films broke 60% for the last three months.
The Chronicles of Narnia: The Voyage of the Dawn Treader.It is the first time in the history of the Royal film performances that the Queen has donned 3D glasses to watch a movie.
Watch And Download Movie: The Chronicles of Narnia Movie 2010 Online Free
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by George M. Groutas
This past weekend, at the recommendation of a friend and colleague, I treated myself to a wonderful comedy/drama short about people and relationships, titled Socks and Cakes, a Woody Allen inspired short from writer / director Antonio Padovan.
Shot in New York City’s Greenwich Village, the fifteen minute film takes a comic and dramatic look at the jealousies and frustrations that arise between five friends who have gathered together for a dinner party. They flirt. They drink. They argue. They talk about love, sex and life. They come for a lamb dinner and red wine, but some of the characters end up walking away with so much more.
I have to tell you that even for a fifteen minute short film, I saw a beginning, a middle and an end…and found it all utterly charming and even a little moving. I’ll take a film like this over 3-D any day of the week.
Writer / director Padovan’s film stars an immensely talented actor named Timothy J. Cox (his delivery and demeanor reminiscent of a young Richard Dreyfuss) as Harry, a downtrodden literature professor who still has very strong feelings for his ex-wife Amanda, played by the luminous Kirsty Meares.
Meares’ Amanda is now married to Harry’s best friend Richard (Jeff Moffitt), but there’s trouble in Richard and Amanda’s marriage, although Amanda tries to put on a brave face as the party she and Richard are planning is about to start. Aside from Harry, the other guests expected to attend are cocky real estate giant David (Ben Prayz) and his young girlfriend, the seductive Sophie (Alex Vincent). Upon meeting Sophie, Richard is quite taken with her and his nowhere near subtle flirtations with her begin. Harry is also fascinated by Sophie, but more for the fact that she’s with an idiot like David (his words). Harry’s dislike of David stems, I imagine, from his suspicions that David and Amanda were intimate in the past; a fact Amanda confirms in the films’ final and best scene. In it, Amanda, in a wine fueled rage, admits to Harry that her marriage to Richard is ending and that her future is uncertain.
Socks and Cakes is not a film about solving life’s problems; it’s a film about simply addressing those life problems, which people commonly don’t like to do. The problems that these characters face in the film, issues with commitment, insecurity and trust, don’t get solved quickly, certainly not in fifteen minutes, but in Padovan’s film, we see a glimpse…a sign, a hope that people like Harry and Amanda are going to take the steps to make it better.
Padovan’s script weaves between sharp and funny word play, especially when all five characters sit for dinner and muse on various topics, to some very moving and dramatic revelations about the insecurities that we all feel about where our lives have gone and where they have not. At fifteen minutes, Padovan shows us some very interesting characters.
Shot in continuous takes, the film moves at a crisp pace, with scenes flowing nicely from one to the next. Credit for the stellar camera work goes to director of photography Alessandro Penazzi, whose work impresses here.
All of the performances are spot on. This is a true ensemble piece, although Cox and Meares are exceptional…especially Cox, who manages to bring considerable warmth and charm to the role of the hapless schnook Harry.
Socks and Cakes is not a film that you’re likely going to see at a movie theatre near you, although I hope that big things happen for the film in the future.
According to IMDB.com, the film has received great reviews across the board from numerous sites on the internet.
If you wish to view the film yourself, visit the films’ official website at http://www.socksandcakes.com/Socks_&_Cakes/Home.html
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by Canadian Film Centre
The 2010 International Experimental Media Congress, the first Congress of its kind since the 1989 Toronto Experimental Film Congress, will assemble film, video, new media artists, theorists, archivists, and curators from around the world, who will be in Toronto through April 11 for panels and discussions related to experimental media production, exhibition, dissemination, criticism, pedagogy and reception. The International Film Festival Summit (IFFS) is an annual conference and trade show for professionals from the film festival industry who will be in Amsterdam through April 9 to participate in presentations, interactive panel discussions and networking events, and to look forward to the Dinner With Strangers event that allows attendees a unique and fun opportunity to meet and dine with festival colleagues from all over the world. The 2010 French Quarter Festival, opening April 9-11, highlights New Orleans’ signature music, food, and culture in the historic neighborhood, mostly by a musical smorgasbord of jazz, r&b, funk, folk, opera, gospel, blues, and brass bands, but also with over 105 food and beverage booths located in Jackson Square, Woldenberg Riverfront Park, and the Louisiana State Museum’s Old U.S. Mint, forming the “World’s Largest Jazz Brunch” with local cuisines from the area’s finest restaurants including such festival favorites as Jambalaya, Crawfish Bread, Gumbo, Red Beans and Rice, Muffaletta, Crawfish, and more.
The annual National Association of Broadcasters (NAB) conference and expo for professionals who create filmed entertainment, and the development, management and delivery of content across all mediums and platforms, happens this year from April 10-15 in Las Vegas. Comic strip icon, Stan Lee (co-creator of Spider-Man, The Incredible Hulk, X-Men, The Fantastic Four, Iron Man, Daredevil, Silver Surfer), will be at this year’s event, and the NAB Education Foundation (NABEF) in partnership with the Broadcast Education Association (BEA) and Radio-Television Digital News Association (RTDNA) will host its annual spring Career Fair at the NAB Show. Nailing Jello Productions conducts a short film screening, fundraiser and panel discussion on how independent filmmakers are using social and emerging media to fundraise, market and distribute their films at an event conducted in New York City on April 14. Tours and activities in Wine Country sets the theme for the Sonoma International Film Festival as activities interwoven into the festival’s daily screenings, happening April 14-18. Leading off the Sonoma Festival will be the world premiere of the documentary, “Coals to Newcastle”, about one of Britain’s cutting-edge funk bands, the New Mastersounds, who will be in town for the festival and perform live after the screening.
The Beverly Hills Film Festival, a competition festival dedicated to showcasing non-studio films and screenplays of emerging filmmakers in the city generally recognized as the headquarters for VIPs to the motion picture industry, is now in its tenth year, opening for a run from April 14-18, while treating festival goers to nightly theme parties, seminars, and a charity benefit. Nashville Film Festival, an Academy qualifier for short films, opens April 15 this year, through April 22, and because it takes place in “Music City” it is only natural that part of the focus be on music in films. So in addition to the many films about music and the Music Films in Music City awards, NaFF presents showcases, workshops, and other events where songwriters and artists come together with film professionals from Hollywood and around the world to promote collaboration. The 45th Academy of Country Music Awards will broadcast live from the MGM Grand Garden Arena, Las Vegas on CBS television network Sunday, April 18 at 8 pm (EST), hosted by Reba McEntire. For those fortunate to attend the Awards live in Las Vegas, the ACM All-Star Jam follows the award ceremony featuring impromptu performances from artists who participated in the Awards show. Mediabistro hosts an April 20 L.A. Cocktail Party for professionals in the media industry. Conversation will be geared toward the latest media industry developments as party hosts, Write On! Online freelance writer, Debra Eckerling, and Kaiser Permanente senior web editor, Michelle Thatcher, help you enjoy yourself and make some great connections.
The mission of the Rincón International Film Festival is to support and promote culture and the arts in Puerto Rico through the medium of film. Rincón, Puerto Rico is also a Surfer’s paradise, so the festival is also looking to screen great surfing films, particularly at the beachfront resorts that will be used as screening venues during the festival run, April 20-25. The Indian Film Festival of Los Angeles (IFFLA) is a nonprofit organization devoted to a greater appreciation of Indian cinema and culture by showcasing films, honoring entertainment industry performers and business executives, and promoting the diverse perspectives of the Indian diaspora. Awards will be presented on April 22 (the festival itself runs April 20-25) at the IFFLA Industry Leadership Award Luncheon held at the House of Blues in Los Angeles. The show will include performances by TAAL Dance Collective. Championing the short film format, Filmfest Dresden promotes a film category which is mostly disregarded by cinemas and television. This year, Filmfest Dresden is supplementing its film programmes with an extensive range of special events discussions, receptions and get-togethers such as on April 22 when the Saxony Film Association, the German Short Film Association, Filmfest Dresden, the School-goers Cinema Dresden, the Dresden Narrow Gauge Festival and other institutes are holding a reception where people will have an opportunity to get together for mutual exchanges.
As it usually does, the Tribeca Film Festival in New York will host many free events during its run from April 21 to May 5, for film fans and families, including: Tribeca Drive-In, an outdoor screening series that takes place at the World Financial Center Plaza, where you can watch professional salsa dancers, listen to live salsa music, enter dancing contests, and even take salsa lessons, following the screening of the HBO documentary The Spirit of Salsa. Then there will be the Tribeca Talks: Industry panels touching on all aspects of the filmmaking trade, and The Tribeca/ESPN Sports Day. Opening on April 22 until April 26, Palm Beach International Film Festival, started in 1996 to give the area a foothold in the film industry as well as to benefit the area’s community schools through grant and scholarship awards, will emphasize its newly formed Friends of the PBIFF, which offers an array of fun-filled events to raise funds and awareness on a year-round basis for the PBIFF. Founded in 1957, the San Francisco International Film Festival, running April 22 to May 6, is thought to be one of the longest-running film festival in the Americas. This year, SFIFF has an line-up of narrative feature films, live action and animated shorts, television and theatrical documentaries, experimental work, digital media, and industry panels, seminars, awards events, onstage tributes, retrospectives, and the well regarded Schools at the Festival program, which brings an estimated 4,200 grade school students into the festival.
ShowBiz Expo Los Angeles is the west coast counterpart to the show held in New York City in March — but runs for two days, April 24-25. Like New York the Los Angeles Expo includes a wide range of networking opportunities including the Exhibit Hall, Workshops/Seminars, Round Table Discussions, Headshot Displays, etc., and most importantly, live audition opportunities for which there is limited enrollment on a first come basis. MUSEEXPO 2010 will be in Los Angeles from April 25-28, and will incorporate the intimate format that marked its beginnings as organic networking dinners organized by A&R Network and A&R Worldwide architect Sat Bisla, aimed at bringing together friends and like-minded relationships from the global radio, A&R, film/TV music supervision, publishing, new media and artist management communities. In London on April 27, noted film director and FOCAL International’s Chair of Patrons, Lord David Putnam, opens the FOCAL International Awards festivities with a champagne reception sponsored by AP Archive, followed by a three-course dinner. FOCAL was formed in 1985 as an international, non-profit professional trade association representing commercial film/audiovisual, stills and sound libraries. The black tie and evening cocktail attire affair ends late with an after party also sponsored by AP Archive.
The above events are only a sample of what is fully listed. Complete details are on the “Media, Entertainment and Performing Arts Industry News and Events” page. Video and podcast versions of this news summary are also available at popular video sites around the Web like MySpace, YouTube, Daily Motion, as well as on The Actor’s Checklist podcast blog. Follow the posting of the news summary on Twitter. Last month on the video news summary you saw new video from newly released single on iTunes – Make Your Move – from UK’s soulful, R&B songstress, Bukola. Music producing Padded Cell Productions of Toronto with a newly released art film, Jane Doe. And there was the “spiritual fusion of acoustic sitar experimental chanting spoken word improvisation” of Scot Aaron and Govinda Schlegel who form Shaman Strings. These videos are now available on the Free Home Video Showcase which now serves as an archive for all past video presentations but without the audio news narration.
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Las Vegas International Film Summit March 29th to April 5th, 2010
Las Vegas, Nevada (PRWEB) June 19, 2009
Las Vegas International Film Summitâ¢ has been created by a group of highly experienced film-makers, marketing professionals, and top business executives, dedicated to the development and promotion of the art and craft of filmmaking.
This is a new space of expression for the art and craft of filmmaking. This yearly mega event will cover every single aspect of the motion-picture production process in an unprecedented 7 days tradeshow and an international film competition, to be held at the Sands Expo, The Venetian and the Palazzo Casino Resorts of Las Vegas, Nevada, from March 29th to April 5th, 2010. “Our mission is to use Las Vegas spectacular hotels and infrastructure to host the most influential film festival in the United States, and with that, contribute to the development of Las Vegas as an international cultural capital for the growing industry of cultural tourism”, said Joaquin Rodriguez, the festival coordinator.
Las Vegas International Film Summit â¢ will be open to all industry professionals and film enthusiasts as well. We welcome everyone who is or wants to be part of the international filmmaking community”, he added.
Las Vegas International Film Summit will be divided in three major stages:
The Motion Picture Industry Network: A trade show that will host film commissions from all over the world, unions, production companies, equipment rental houses, wardrobe, locations, catering, EFX, post production, legal services, advertising and much more.
The Film Competition: A selection of 30 feature films, 10 short films, 10 feature documentaries and 10 student shorts films.
The International Film Showcase: A selection of International films representing 21 of the most influential producing countries of the world.
Las Vegas International Film Summit â¢ will have over $ 90,000 dollars in prizes, spectacular red carpets, VIP parties, international premieres and much more.
For more information visit http://www.lvifs.com
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Vocus, PRWeb, and Publicity Wire are trademarks or registered trademarks of Vocus, Inc. or Vocus PRW Holdings, LLC.
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Seville European Film Festival, Thessaloniki International Film Festival, International Film Festival Rotterdam, and More to Speak at 2010 International Film Festival Summit
New York, NY (PRWEB) March 11, 2010
The International Film Festival Summit (IFFS) announced today the speakers for their panel focused on what film festivals are doing right in today’s environment taking place April 8-9, 2010 in Amsterdam.
The moderator for the panel will be Javier Martin-Dominguez, Artistic Director, Seville European Film Festival, and speaking will be Despina Mouzaki, Director, Thessaloniki International Film Festival; Rutger Wolfson, Director, International Film Festival Rotterdam; Mick Hannigan, Festival Director & CEO, Corona Cork Film Festival; and Jorgen Ramskov, CEO, Copenhagen Film Festivals.
The presentation entitled, “What’s Really Going on?” will discuss where film festivals will be in the next five years, and what topics will be the most pressin. “There has been a great deal of scrutiny on what some say are problems with the current festival model,” said Waco Hoover, CEO, International Film Festival Summit. “Festival directors and executives spent all year with their nose to the grind in order to make their festival the best it can be. This panel is the perfect opportunity to hear from industry leaders, and discuss the future for film festivals.
The 2010 International Film Festival Summit Europe will have industry leaders discussing the latest trends in funding and sponsorship, programming, operations and management, publicity and public relations, acquisition and distribution, technology solutions, long-term planning and sustainable growth, and the latest trends impacting the festival community.
The 2010 IFFS will feature the top industry leaders and directors attending including: Holland Film, Film Finders, Dublin International Film Festival, Clermont-Ferrand Short Film Festival, Moscow International Film Festival, Cinema du Reel, Promotion MEDIA, Public Relations Ltd., Sponsorship Consulting Limited, Stockholm International Film Festival, Tallinn Black Nights Film Festival, LesGaiCineMad, Animez International Festival of Animation and Computer Games, CI & Vi, Taormina Film, Cork Film Festival, IDFA, German Film Export Union, Filmkontakt Nord, London Independent Film, Seville European Film Festival, Bond University, Filmfestivals.com, Gareth Jones Media Services, International Oberhausen Short Film Festival, Myspace.com, and Bitfilm Festival.
About International Film Festival Summit (IFFS):
The International Film Festival Summit (IFFS) is the largest international organization representing the film festival industry. The IFFS mission is to promote and strengthen the global film festival industry through education, networking, dissemination of information, and the cultivation of high standards for the industry. The IFFS was founded in 2002 and provides the only annual conference & symposium for film festival professionals and entertainment executives to network, learn from one another, establish partnerships, and understand the latest trends in festivals and independent film. http://www.filmfestivalsummit.com.
©Copyright 1997-, Vocus PRW Holdings, LLC.
Vocus, PRWeb, and Publicity Wire are trademarks or registered trademarks of Vocus, Inc. or Vocus PRW Holdings, LLC.
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A few nice new release movie images I found:
housing bubble..if i pop, you’re screwed!! …..item 3..US homes lost to foreclosure up 25 pct on year (September 2010) …..item 5…The financial fallout was an ‘Inside Job’……
"If the people understood the rank injustice of the money and banking system, there would be a revolution by morning." – Andrew Jackson "
Our goal is gradually to absorb the wealth of the world." – Cecil Rhodes. "
The Federal Reserve is the most corrupt institution the world has ever seen." – US Congressman Luis McFadden. "
Banks loan money they DO NOT HAVE" – John Maynard Keynes. "
A "loan" made by a bank is a clear addition of money into the community." – Encyclopedia Britannica, 14th ed.
…..item 1)…web-link……yahoo news…Housing Optimists Are "Not Paying Attention" to the Facts, Says Dean Baker
Posted May 12, 2010 10:02am EDT by Heesun Wee in Investing, Banking, Housing
Related: xhb, ^dji, ^gspc, xlf, tlt, tbt
Among the crowded ranks of economists and market watchers, Dean Baker stands out. Baker presciently called the housing bubble when he published “The Run-up in Home Prices: Is It Real or Is It Another Bubble?” in 2002.
So does our guest Baker see the so-called housing recovery now? "No. I mean I think people that are saying that just aren’t paying attention to what’s in front of their eyes," says Baker, an American economist and co-director of the Center for Economic and Policy Research.
"I think we’re going to see a big fall-off in purchases for the rest of 2010 and even into 2011,” Baker says. “So the idea that somehow the market is stable, that housing prices will rise anytime soon – it’s really hard to make a case for that."
Baker lays out several reasons for his bearish case:
* Programs that lifted the market, including the tax credit for first-time buyers, have expired.
* The Federal Reserve is exiting the mortgage market, which will likely push rates to 5.5% to 6% by the end of the year.
* There’s still an inventory glut and rental rates are falling in many markets, notes Baker, author of "False Profits: Recovering from the Bubble Economy." He says the rental market doesn’t lie.
Naturally the housing bulls disagree. Hedge-fund manager John Paulson, for example, said housing prices in hard-hit California will begin to rise this year, setting the stage for a wider recovery, as the FT reports.
So what are the chances of, say, another tax credit or purchase of mortgage-backed securities? "I think they’d be reluctant to do that because of the signal it would send," Baker says in the accompanying clip. "I mean it would send this unambiguous signal things really are bad, worse than had been advertised."
Click on the player to learn about Baker’s idea to let struggling homeowners stay in their homes, and prevent home inventory from climbing even higher.
…..item 2)…….housing bubble….flickr member…TheTruthAbout…
I took this photo while just north of Los Angeles in the city of Santa Maria. It’s been one of the harder-hit areas of California, despite being fairly close to pricey and always fashionable Santa Barbara. Perhaps too much building/supply and simply not enough demand was the problem here. This particular photo was taken right off the 101 freeway, and actually only captured a handful of the many, many real estate signs planted on the patch of growth by the on-ramp. I was immediately drawn to the scene, as I felt it summed up the housing bubble perfectly, which in my opinion, has been all about excess – photo courtesy The Truth About Mortgage
…..item 3)…..Yahoo! News …bought to you by Yahoo! Finance….US homes lost to foreclosure up 25 pct on year
By ALEX VEIGA, AP Real Estate Writer
Thursday September 16, 2010
LOS ANGELES – Lenders took back more homes in August than in any month since the start of the U.S. mortgage crisis.
The increase in home repossessions came even as the number of properties entering the foreclosure process slowed for the seventh month in a row, foreclosure listing firm RealtyTrac Inc. said Thursday.
In all, banks repossessed 95,364 properties last month, up 3 percent from July and an increase of 25 percent from August 2009, RealtyTrac said.
August makes the ninth month in a row that the pace of homes lost to foreclosure has increased on an annual basis. The previous high was in May.
Banks have been stepping up repossessions to clear out their backlog of bad loans with an eye on eventually placing the foreclosed properties on the market, but they can’t afford to simply dump the properties on the market.
Concerns are growing that the housing market recovery could stumble amid stubbornly high unemployment, a sluggish economy and faltering consumer confidence. U.S. home sales have collapsed since federal homebuyer tax credits expired in April.
That’s one reason fewer than one-third of homes repossessed by lenders are on the market, said Rick Sharga, a senior vice president at RealtyTrac.
"These (properties) are going to come to market, but very slowly because nobody wants to overwhelm a soft buyer’s market with too much distressed inventory for fear of what it would do for house prices," he said.
As a result, lenders are putting off initiating the foreclosure process on homeowners who have missed payments, letting borrowers stay in their homes longer.
The number of properties receiving an initial default notice — the first step in the foreclosure process — slipped 1 percent last month from July, but was down 30 percent versus August last year, RealtyTrac said.
Initial defaults have fallen on an annual basis the past seven months. They peaked in April 2009.
Still, the number of homes scheduled to be sold at auction for the first time increased 9 percent from July and rose 2 percent from August last year. If they don’t sell at auction, these homes typically end up going back to the lender.
More than 2.3 million homes have been repossessed by lenders since the recession began in December 2007, according to RealtyTrac. The firm estimates more than 1 million American households are likely to lose their homes to foreclosure this year.
In all, 338,836 properties received a foreclosure-related warning in August, up 4 percent from July, but down 5 percent from the same month last year, RealtyTrac said. That translates to one in 381 U.S. homes.
The firm tracks notices for defaults, scheduled home auctions and home repossessions — warnings that can lead up to a home eventually being lost to foreclosure.
Among states, Nevada posted the highest foreclosure rate last month, with one in every 84 households receiving a foreclosure notice. That’s 4.5 times the national average.
Rounding out the top 10 states with the highest foreclosure rate in August were: Florida, Arizona, California, Idaho, Utah, Georgia, Michigan, Illinois and Hawaii.
Economic woes, such as unemployment or reduced income, are now the main catalysts for foreclosures.
Lenders are offering a variety of programs to help homeowners modify their loans, but their success rates vary. Hundreds of thousands of homeowners can’t qualify or fall back into default.
The Obama administration has rolled out numerous attempts to tackle the foreclosure crisis but has made only a small dent in the problem. Nearly half of the 1.3 million homeowners who enrolled in the Obama administration’s flagship mortgage-relief program have fallen out.
The program, known as Making Home Affordable, has provided permanent help to about 390,000 homeowners since March 2009.
Regardless, many troubled borrowers have seen their efforts to get a loan modification stymied.
Larry Book of Winter Garden, Fla., was one packet away from a permanent loan modification from Chase under the Obama administration’s foreclosure prevention plan after more than a year of back and forth and one failed attempt.
But his modification never went through. Instead, his loan was transferred from Chase to IBM Lender Business Process Servicers in July and he was told he owed ,562.62 and must bring his mortgage current by Sept. 15 or foreclosure proceedings will begin.
"It just becomes too exhausting," Book said about the modification process. "That’s why some people walk away. But I’ve invested too much and given up too much to just let it go."
AP Real Estate Writer J.W. Elphinstone in New York contributed to this report.
…..item 4)…..Yahoo! News…..6 Trillion Retirement Deficit…September 2010
There’s a .6 trillion gap between what Americans will need to retire and what they will actually have, according to a Retirement USA study. CNBC’s Scott Cohn has the details.
…..item 5)….website….Marketplace……..The financial fallout was an ‘Inside Job’….with youtube video…
Wednesday, September 15, 2010
Kai Ryssdal talks to Director Charles Ferguson about his new documentary "Inside Job," which explores the causes of the 2008 financial crisis.
photo of …..Director Charles Ferguson. (Ian Gavan/Getty Images)
TEXT OF INTERVIEW
KAI RYSSDAL: I know I said yesterday that I’m not a big fan of anniversary stories, but this is kind of a big week. Two years ago today, Lehman Brothers went broke, kicking off a stretch of a crazy couple of months that we’re still trying to recover from.
Documentary filmmaker Charles Ferguson has a new movie out — "Inside Job, it’s called — that tries to explain what happened that fall and to figure out who’s to blame.
So that’s where we started when we talked, with me asking whether it’s possible to blame individuals for the whole financial crisis, or whether the problems on Wall Street were more systemic?
CHARLES FERGUSON:What has happened is that a very substantial fraction of the financial services industry has come to be outside the law, and as it has become increasingly powerful, it has attracted increasingly amoral people. Its behavior has become more and more dangerous to the financial system and to the American economy.
RYSSDAL: There was also a sort of trend of not talking about any of this stuff. There’s a great moment in the film when one of the few regulators you’ve got on camera was Christine Lagarde, the French finance minister. And you started asking her about Lehman Brothers, and when she found out that it was going under.
FERGUSON: When were you first told Lehman in fact was going to go bankrupt?
CHRISTINE LAGARDE:After the fact.
FERGUSON: After the fact? Wow, OK. And what was your reaction when you learned of it?
RYSSDAL: Clearly, we’re connected financially, but not so much along the lines of communication, huh?
FERGUSON: I was truly, truly dumbstruck when I learned the extent of the ignorance and disconnect in this, of the American regulatory system during the crisis. Paulson, Bernanke, were astonishingly ignorant of the consequences of their decision. They did not understand foreign bankruptcy laws, they did not understand that all transactions in London would be halted and then that would cause catastrophic financial results cascading throughout the financial system almost immediately.
RYSSDAL: I want to play something from the film. It’s Allan Sloan, he’s a senior editor at Fortune magazine. He’s a well-respected financial writer. He tells a little story.
ALLAN SLOAN: A friend of mine who’s involved in a company that has big financial presence said, "Well, it’s about time you learned about sub-prime mortgages." So he set up a session with his trading desk and me. And the techie who did all this gets very excited, runs to his computer, pulls up in about three seconds this Goldman Sachs issue of securities. It was a complete disaster. Borrowers had borrowed on average 99.3 percent of the price of the house, which means that they had no money in the house.
RYSSDAL: So for all the blame that Allan puts on Goldman Sachs — and certainly they deserve it — what about Americans looking in the mirror and saying, you know what, a little bit of this is our fault too.
FERGUSON: Well, certainly that’s true to some extent. There was a bubble, and it was a big bubble and many people bought houses that they couldn’t afford and were careless with regard to the loan documentation that they signed. But over half of people who received sub-prime mortgages actually would have qualified for a less expensive prime mortgage. They were steered into more expensive sub-prime mortgages by mortgage brokers who were paid extra money the more expensive the loan they made was. So it was something that was cultivated, and in many regards, forced upon the American people by the financial services industry.
RYSSDAL: How come nobody went to jail?
FERGUSON: Well, there’s a simple obvious answer and then there’s a deeper, more complicated answer, which I don’t fully understand. The simple obvious answer is that this has become an out-of-control industry; a very, very powerful industry.
RYSSDAL: What’s the more subtle reason that you haven’t quite figured out?
FERGUSON: For some reason that I truly don’t understand, this situation has not generated the level of popular outrage that similar or comparable things have generated at other times in American history. There have been other times in American history — some recent, some long ago — when our leaders, our business leaders, and/or our political leaders, have done something terribly wrong and more than once, the American people have risen up and said, "We simply will not permit this." And that hasn’t happened here, yet. I think that part of the reason that it hasn’t happened might be that people think that finance is too complicated for them to understand, and that the situation is too complicated for them to understand. And indeed one reason that I made the film is to make it clear that actually they can understand it.
RYSSDAL: Charles Ferguson, his new film is about the financial crisis and the events of fall two years ago and how it got there. It’s called "Inside Job." Mr. Ferguson, thanks so much for your time.
FERGUSON: Thank you.
…..item 6)……website….DNAinfo….Manhattan Local News…..New York Film Festival Documentary Tackles Wall Street Greed
October 1, 2010 7:23am
Director Charles Ferguson explores the financial meltdown.
MIDTOWN — Academy Award-winning director Charles Ferguson has shifted his sights from the origins of the Iraq War to greed on Wall Street.
The director of "No End in Sight," which examined the Bush Administration’s actions leading up to the war in Iraq, traces the root causes of the financial meltdown in his latest film, "Inside Job," showing Friday and Monday at the New York Film Festival.
"It’s important that the American people understand what happened here," Ferguson said in an interview with DNAinfo. "I hope that people come away with an understanding…that is hasn’t been fixed yet, and that it’s up to us, the American people to fix it."
Ferguson said even he was taken aback by some of what he learned over the course of interviews with top economists, politicians, scholars and even a Wall Street psychotherapist, who detailed the cocaine habits of senior management level bankers.
Glenn Hubbard, dean at Columbia University’s business school, is taken to task in the film for his ties to leading financial services firms. Ferguson argues that big consulting fees corrupt economic scholarship.
While the film’s message is far from cheery, it features an upbeat soundtrack with songs from Peter Gabriel and Russell Ballard as well as narration from actor Matt Damon. In between interviews, the camera lingers on shots of the Manhattan skyline at dusk and dawn, and zooms down on Learjets, yachts and Long Island mansions.
"I wanted the film to look cool, but also I wanted to convey that New York is a big place, and there is a lot of money here," Ferguson said. "Certainly when we took film of the Hamptons, I wanted to convey to people where all that money was going."
The "Inside Job" will be released in theaters on Oct.8.
Letsatsi, the White lion. (Son of Temba)
IMG01491 Highest position: 321 on Friday, September 4, 2009
The white lion is occasionally found in wildlife reserves in South Africa and is a rare color mutation of the Kruger subspecies of lion (Panthera leo krugeri). It has been perpetuated by selective breeding in zoos around the world. White lions are not a separate subspecies and they have never been common in the wild. Regarded as divine by locals, white lions first came to public attention in the 1970s in Chris McBride’s book The White Lions of Timbavati. The greatest population of white lions is in zoos where they are deliberately bred for color. The population of the white lion is unknown but the most recent count was in 2004 and 30 were alive. White lions are not albino lions. Instead, the white color is caused by a recessive gene known as chinchilla or color inhibitor. They vary from blonde through to near white, however some can also be red. This coloration gives white lions a distinct disadvantage in nature because they are highly visible. This gives them away to their prey and makes them an attractive target for hunters. According to Linda Tucker, in "Mystery of the White Lions – Children of the Sun God" they are bred in camps in South Africa as trophies for canned hunts.
White lions were first recorded in 1928 and in the early 1940s. In 1959, a pride with two white cubs was seen near Tshokwane in Kruger National Park, but later vanished. Albino lions had been recorded in the area according to David Alder ton’s book "Wild Cats Of The World". In 1974, a light Grey lion cub was born at Birmingham Zoo, Alabama.
In 1975, two white cubs were seen at Timberland Game Reserve, adjacent to Kruger National Park. Their story is detailed by Chris McBride in his book "The White Lions of Timbavati". The two cubs, Temba (Zulu for "hope") and Tombi ("girl") had a tawny brother called Vela (‘surprise’). In 1975, a white female cub called Phuma ("to be out of the ordinary") was sighted in the Timberland pride.
A few months later Temba, Tombi, and Vela (who carried the recessive white mutation) were taken to the National Zoo in Pretoria, South Africa. Temba sired several cubs. Tombi had a white cub in 1981, it was low in health but survived. Vela sired a litter, they grew up to be strong unusually one out of the 4 cubs was white while the rest were almost blond. The white lions in the Ouwehands Dierenpark (Netherlands) and a private South African Zoo appear to be from Temba, or possibly Vela, lines. A few other white or blond cubs were born in Timberland after Temba, Tombi, and Vela were removed. Another white lion bloodline, possibly part of the Timbavati bloodline, comes from a white male captured in the Timberland area in the late 1980s and kept by a private reserve.
Temba has left descendants in captivity. A heterozygous tawny lion at Pretoria Zoo carries the mutation and most likely pass this on to his offspring. Two heterozygous tawny males from the Cincinnati Zoo are now at a private reserve in Africa. A white female and a heterozygous tawny male were sent to the Zoological Animal Reproduction Center in Indiana, USA. A second female was put together with another but didn’t get along so they were separated for some time until they were comfortable in their surroundings.
In 2003, the Global White Lion Protection Trust (WLT) initiated the first ever reintroduction of white lions to their natural endemic range – the Greater Timbavati region in South Africa. Preliminary results have shown that the hunting success of the white lion pride was comparable to or higher than the wild prides (‘normal’ coloured / tawny) of the Timbavati itself (Turner 2005, Turner in prep.). This pride of "all" white lions has shattered the misperception that white lions cannot hunt successfully (within their natural endemic habitat) due to a perceived lack of camouflage. The long-term objective of the WLT is to restore the natural balance by reintroducing an integrated pride/s of white and tawny lions within their endemic range. White lions are a unique contribution to the biodiversity of the region and are revered by the local communities that hold them sacred.
Broederstroom – Each year, lions are raised in captivity in South Africa and then set loose in enclosed areas where hunters, many from the United States, gun them down. The toll in what one filmmaker calls slaughter, not sport: About 1 000 lions each year.
Kevin Richardson hopes a new movie White Lion, which opens in a few US cities on Friday, will give people second-thoughts about participating in such hunts.
"I just can’t understand how anyone would want to shoot a lion that is clearly confined to a finite space with absolutely no hope in hell of ever escaping the so-called hunter," said Richardson, a self-taught "Lion Whisperer" and first-time film producer. "Canned lion hunting, in my opinion, is likened to fishing with dynamite in a pond and then calling yourself a fisherman."
White Lion is about a rare white lion, who as a cub is cast out of his pride because of his colour. He is near starvation when he befriends an older lion who teaches him the ways of the wild. John Kani, a Tony Award-winning actor and playwright, is the storyteller. A young man helps the lion, whose name is Letsatsi, because his Shangaan tribal tradition says a white lion is God’s messenger and must be protected. Tension builds as Gisani becomes a tracker on a game farm where he and a foreign hunter encounter Letsatsi.
Trophy hunting is big business in South Africa, worth .2m a year, according to the Professional Hunters Association of South Africa. Foreign tourists pay up to 000 to shoot a lion.
The government promotes hunting as a revenue source and calls it a "sustainable utilisation of natural resources". Provincial governments sell permits allowing hunters to kill rhinos, elephants – even giraffes. Hunters killed 1 050 lions in 2008, the last year for which figures are available, according to the South African Predator Breeders Association.
The hunters’ association says 16,394 foreign hunters – more than half from the United States – killed more than 46,000 animals in the year ending September 2007.
Bred in captivity
Almost all lions hunted under permit in South Africa are bred in captivity. But a new report by Animal Rights Africa says animals that wander out of the huge Kruger National Park into neighbouring private reserves have become fair game.
About 3 600 lions were kept in breeding facilities in 2009, to be sold to zoos, safari farms and for hunting on game farms, said Albi Modise, spokesperson for South Africa’s Department of Environment.
Animal Rights Africa says trophy hunting is incompatible with South Africa’s push into ecotourism, noting that ad campaigns promoting tourism and game viewing showcase the same species that are offered up to be hunted. The government in 2007 introduced legislation that would reduce the financial incentive to breed lions for the hunt but the Predator Breeders Association challenged the laws and earlier this year won an appeal.
Richardson, the movie’s producer, first befriended a pair of lion cubs at the Lion Park outside Johannesburg 12 years ago, when the cubs were 6 months and he was 23. He began shortening his hours as a therapist in postoperative rehabilitation to play with his new friends. Soon, park owner Rodney Fuhr offered him a part-time job which became full time.
Today, Richardson cares for 39 lions at his 800-hectare Kingdom of the White Lion in Broederstroom, an hour and a half drive from Johannesburg, where the film was shot to include tawny gold lions as well as those born white because of a recessive gene.
Lions are nocturnal and spend most of the day sleeping, so filming was limited to a couple of hours in the morning and perhaps another couple in the afternoon – if the cats were willing. Letsatsi was portrayed by several different lions over the four years it took to make the movie. A cuddly cub filmed in the summer of 2006 might be sprouting a mohawk-style tuft of hair the following year, the precursor to a mane.
Richardson said he breaks every rule in the book in handling lions. On a recent morning, the lions welcomed Richardson with rumbling purrs. One shut his eyes in ecstasy and rolled onto his back as Richardson scratched his chin. Another licked Richardson’s hand, the tongue as rough as sandpaper. Too many licks can cause bleeding.
Two 180kg lions wrestled him to the ground and a lioness jumped on his back, covering Richardson for a tense minute. He emerged from a tangle of furry blond limbs, face red. One lion threw a casual paw on Richardson’s shoulder.
"Ugh, no claws you naughty boy!" he admonished, slapping away a paw larger than his face.
He’s been attacked by his lions twice. Once during filming, a lion named Thor grabbed Richardson’s arm and pinned him against the cage holding the camera crews, who looked on terrified and unable to help.
"I thought: There goes my arm, and it’s my own fault. I was provoking him to get a fight sequence that we needed," Richardson said. The lion stared him in the eyes for what seemed five minutes but couldn’t have lasted more than a few seconds, before releasing him, he recalled.
"Lions are 99% chill and & lethal," Richardson said.
This is a visualization of the frequency of the words ‘Superman’, ‘Batman’ and ‘Spider-man’ in New York Times articles since 1981.
The big spikes are all surrounding the release of movies. It’s interesting to see two things: the climb of Spider-Man from obscurity to household name, and the general increase of mentions of superheroes as a whole.
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Cebu, PHILIPPINES (February 24, 2010)
IAFT students and graduates sweep awards across short film, documentary and acting categories
The International Academy of Film and Television (IAFT) is proud to congratulate its students and graduates on winning a total of nine out of twenty-two awards at the recent Sinulog Short Film and Documentary Competition. These winning entries include âFaces of Sinulog’, âTaxi Driver’ and âPagtuo (Faith)’ by Steve EraÃ±a and Mickey Macachor, Mikio Makino Jr. and Janice Villarosa respectively. The competition was held in conjunction with the Sinulog@30 2010 Festival in Cebu City, and the award ceremony took place at the SM Cinema 1 on 30th January, 2010.
Bagging the most number of awards by a single submission was Steve EraÃ±a and Mickey Macachor’s video documentary entitled âFaces of Sinulog’, a seven minutes long historic view of Sinulog from two different perspectives, narrated by Cebu City Mayor Tomas OsmeÃ±a and Fr. Carmel Diola from the Archdiocese of Cebu. The top spot for most awards is also shared with the short film âKurtina nga Pula’.
In the Video Documentary category, all eight entries were nominated for the Best Video Documentary award, in which âFaces of Sinulog’ emerged tops. The documentary was further awarded best story, best in production design, best narration, best in sound engineering and musical scoring, while EraÃ±a and Macachor were both presented with best director, amounting to six out of ten awards in the Documentary category.
“Our training in filmmaking taught us to avoid common pitfalls, as well as cut down the time needed for unnecessary editing through our shooting techniques, said EraÃ±a.
Macachor, a recent graduate with a âTechnical Achievement Award’ from IAFT under his belt added: “Formal training grounded us in the foundation for filmmaking, and that enabled us to explore and develop our own individual style.”
Commenting on their award for sound engineering, Macahor elaborated: “We have been taught on the critical importance of dialogue. With that constantly at the back of our minds, we made certain that our dialogue was crisp and intelligible, right from source through to output.”
Post-production took place on-campus, which not only provided the duo with the necessary state-of-art facilities, but also creative inputs and criticisms of mentors and peers that contributed to their success.
The annual competition saw a total of eleven entries in the Short Film category, out of which eight were nominated for the Best Short Film award. âTaxi Driver’ achieved the runner-up position for Best Film, and was also awarded Best Actor. Producer Mikio Makino Jr. is a recent graduate of IAFT, and was also a recipient of the âTechnical Achievement Award’ upon graduation.
In the acting categories, Chuck Luat bested two other nominees for Best Actor in âTaxi Driver’, while Janice Villarosa’s stellar performance as the distraught mother of a boy with leukemia in âPagtuo (Faith)’ earned her Best Actress award, beating three other nominees.
“I feel that one of the most important aspects of acting is learning how to approach a character or a script in various possible ways,” said Luat, who made his short film debut as a taxi driver who makes a turnaround after heading astray. “At IAFT, we are exposed to a multi-cultural environment with varying points of view and reactions to any given event. Coupled with good guidance from our mentors, my confidence has grown alongside my acting skills.”
“The theme of our film is something that’s very close to my heart, and I began to embody my character immediately after we developed her,” said Villarosa, who also directed the short film she played in. “Apart from being armed with the know-how, the discipline and focus that has been instilled in film school really paid off, as we juggled our time between shoots, post-production and our school workload,” the American-Filipino student added.
“We are grateful for the knowledge, support and nurturing that the mentors have showered us with,” Villarosa added. “We are honored for this recognition, and I now hope for the opportunity to showcase this short film to a wider audience beyond the shores of Cebu and the Philippines.”
The team behind âPagtuo (Faith)’ has plans to continue editing the short film for participation in other film festivals.
“We are delighted with our students and graduates’ achievements at the competition” said Keith Sensing, Executive Director of IAFT. “This will indeed be a milestone for them, and we wish them the best as they continue on to compete at other international festivals.”
Last year’s competition saw two students Peter Ian Mancao and Angelo Agojo toppling the competition with their short film entitled âThe Portrait’. Besides coming out tops for Best Short Film, it also drew the awards for best screenplay, cinematography, director, editing, actor and child performer, totaling seven out of the thirteen awards in the Short Film category. Mancao and Agojo have since graduated from IAFT, and have moved on to the production of local and international commercials.
Villarosa is currently undergoing her Diploma Program in Filmmaking at IAFT, while EraÃ±a, Macachor and Makino recently graduated in the same. Luat is currently an undergraduate at the school’s diploma program for acting.
About The Sinulog Festival
The Sinulog festival is one of the grandest and most colorful festivals in the Philippines with a very rich history. The main festival is held each year on the third Sunday of January in Cebu City to honor the Santo NiÃ±o, or the child Jesus, who used to be the patron saint of the whole province of Cebu (since in the Catholic faith Jesus is not a saint, but God). It is essentially a dance ritual which remembers the Filipino people’s pagan past and their acceptance of Christianity.
The festival features some the country’s most colorful displays of pomp and pageantry: participants garbed in bright-colored costumes dance to the rhythm of drums, trumpets, and native gongs. The streets are usually lined with vendors and pedestrians all wanting to witness the street-dancing. Smaller versions of the festival are also held in various parts of the province, also to celebrate and honor the Santo NiÃ±o. There is also a Sinulog sa Kabataan, which is performed by the youths of Cebu a week before the Grand Parade. For more information, please visit www.sinulog.ph.
About The International Academy of Film and Television (IAFT)
Founded in 2003, the International Academy of Film and Television (IAFT) is a film school providing a new generation of aspiring filmmakers with a globally competitive education under the mentorship of leading industry professionals. The school offers each student hands-on experience using comprehensive equipment and facilities at a fraction of the cost of comparable institutions. IAFT offers short-term and long-term programs in Filmmaking, Sound Design and Acting that combine theory and application, and are designed for both new filmmakers as well as industry professionals looking to advance their skill set. The school also offers internships and opportunities to work on commercially-viable projects. Located in the heart of Asia on Mactan Island, Cebu, Philippines, IAFT’s tropical campus has facilities for filming and post-production as well as housing. IAFT’s mission is to nurture the creativity and individual talents of every student while cultivating today’s global filmmakers, and to build upon the entertainment traditions of Hollywood and other film capitals of the world.
The International Academy of Film and Television is a wholly-owned subsidiary of Bigfoot Entertainment. For more information, please visit www.filmschool.net and www.bigfoot.com.
About Bigfoot Entertainment
Founded in 2004, Bigfoot Entertainment is an international entertainment company producing independent films for the global marketplace. The company finances and develops feature films, documentaries and reality TV shows, many of which have received industry accolades, festival awards and have been distributed throughout the world. Featuring both well-established and up-and-coming American and international talent, Bigfoot releases have shot on location worldwide including the United States, Hong Kong, China, Africa, Europe and Vietnam. Bigfoot Entertainment produces many of its projects at Bigfoot Studios, a wholly-owned subsidiary that encompasses six sound stages and on-site state-of-the-art post-production facilities.
Headquartered in Los Angeles with studios in Cebu, Philippines, Bigfoot Entertainment creates content reflecting a Hollywood foundation with a global perspective. For more information, visit www.bigfoot.com.
*Check with IAFT for scheduled dates.
Visit us at http://www.bigfootentertainment.com
For media inquiries, please contact:
Click here to watch our latest short film, ‘Of Land and Bounty’: www.youtube.com PLEASE READ BEFORE COMMENTING ‘The Box’ is NOT a rip off of ‘Black Button’, nor vice versa. More details below. -YouTube Awards 2007 – Top Six Finalist, Best Short Film -WINNER: Fitzroy Short Film Festival (Melb, Aus) -WINNER: DearCinemaFest Short Film Festival (Int.) and more… Mr Roberts finds himself awoken inexplicably in a white room. A man sits before him at a desk and in between them stands a black button. If Mr Roberts pushes it, he will receive a briefcase filled with millions of dollars. Or he can take the key to the door and leave penniless. The catch? Pushing the button will result in the death of a human being. What would you do? EDIT 1: Some people have observed a similarity in the premise of this film and an revival episode of The Twilight Zone in 1986. Please note (1) We had never seen the episode and only learned of it long after we’d finished the film. (2) The Twilight Zone weren’t the first to do it. There was a short story before that, which was in turn based on an old premise called the ‘Faustian Bargain’, around since the 16th century (deal with the ‘devil’). An almost identical premise exists in several cultures. Richard Kelly is even making a film with this premise called ‘The Box’. (3) Our film is similar in premise, but different in plot, characters, dialogue, aesthetics, setting, moral meaning, religious undertone, twist etc. Each version, including ours, aims to …
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