Feature Film About Homeless Man To Donate Half of Film’s Profits to Homeless
Los Angeles, CA (PRWEB) September 07, 2011
The film is called “The Guitar Player.” The story is about a homeless street performer who gets a second chance in life but struggles with his painful past. It seems only fitting that a film about someone who is homeless in a bad economy, will be funded by the public. That is the intention of the filmmaker Michael Stein. He has created an elaborate fund raising campaign to finance the film and intends on giving half his profits to homeless causes. In this day and age where film companies are taking what they can get, it seems like a grand gesture.
The film company, The Guitar Player Inc., has scheduled the film to be shot January 9th in Los Angeles. Due to the content and the film’s cause many contributions have been made but the production still lacks liquid funds, so the filmmakers decided to raise funds publicly.
The Guitar Player is based on a fictional character named Robert Shiller (a.k.a “Robert Shiller The Killer”) a seventeen-year-old champion high school wrestler in a small town in Northern California. One week before the state championship, Robert accidentally killed his best friend and team mate, during practice. The loss of his friend and the social stigma in a small town was more than he could bear, so he ran away from home, grabbing only what he could fit in his wresting bag and his best friend’s guitar even though he did not know how to play. Our story begins twenty years later with Robert living on the streets. The screenplay was written by the director Michael Stein.
Stein has a knack for making lower budget films with a larger budget look and feel. His last film, “Love Hollywood Style” starred Faye Dunaway, Andy Dick, Coolio and Stephen Tobolowsky and has become a cult comedy classic. Stein’s first role came when he was cast by his friend Paul Thomas Anderson to play the lead role of Dirk Diggler in the original short film “The Dirk Diggler Story”, that later became the feature film “Boogie Nights” which Michael Appears in as well.
“Getting funding has always been a struggle,” Stein says. “The past several years in Hollywood have seen a major change. They are not handing out movie deals like hotcakes the way they use to in the 90s.”
It’s been four years since Stein made his last film. The problem was self funding a film in a bad economy along with the obligations of supporting his family. He knew about crowd funding websites like kickstarter.com but did not feel that any of his scripts would go well with a crowd funding concept. He then came up with an idea that he felt would be with the right vehicle. A film that would be funded 100% by the public about someone who is homeless and the earnings of the film benefiting homeless causes.
The film’s production is contingent upon the funds being raised. The film’s kickstarter campaign also has a high concept. One of the packages, a thirty five hundred dollar pledge allows businesses to promote their products at each of the premieres, which will be in several major cities, including L.A. and New York. Another package, a ten thousand dollar pledge includes “An Event for a Day” where one thousand tarps will be donated to a local homeless shelter and a screening in a movie theater in the city of your choice, all being promoted in honor of the pledge contributor. There are many other elaborate incentives built around the premieres and promotion of the film. Tricks of the trade Stein learned working with Peter Guber and John Peters on movie promotions when he was a twenty years old nightclub promoter.
The minimal funding goal for the film was set at one hundred and fifty thousand. A typical low amount is always set for projects on kickstarter due to their “all of nothing” policy. Stein and the Line Producer Aimee Flaherty hope to break the kickstarter’s funding record for a film, which is approximately half a million. Once funding is in place, Stein hopes to sell the film to one of the larger film companies and donate fifty percent of his profits to the homeless.
The fund raising campaign is being held for fifty days and expires on October 21st. Tarp drives will be held in 14 cities around the country in order to bring more awareness to the project. The tarp drives consist of one thousand tarps will be handed out at homeless shelters for people that are living on the streets.
If you are interested in learning more about the film, you can visit the website at: theguitarplayermovie.com
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Atlanta, GA (PRWEB) October 14, 2004
The APEX Museum lives up to its mission of celebrating Black History every day. On any given day visitors can stop by the museum and see a treasure trove of African American history artifacts. In celebration of the Underground Railroad, the secret network upon which thousands of slaves escaped, The APEX Museum presents an event billed as a “reality” film experience. On Friday, November 12 from 6-8pm, it will premiere the short film, ÂÂMattie, Johnny and Smooth White StonesÂÂ directed by and starring Cassandra Hollis.
Produced by Holy Hill Productions, the film had a successful West Coast premiere at the CFMi Festival in Los Angeles in May. Festival Chairperson, Valiant Robinson, said of the film, “It is a must see film. Cassandra is phenomenal as Mattie.” It was selected from the festival to be screened among the “Best of CFMi” at the recent Black Expo in Los Angeles held in September. “Mattie” is also among a select group of short films chosen out of dozens of submissions to screen at the upcoming Gloria Film Festival in Utah.
APEX Museum Executive Director, Dan Moore, Sr., saw the film and thought it was important to showcase the film in their famous Trolley Theatre, “A moving and powerful drama about love, faith and empowerment. Set during the days of slavery, this captivating short film is a compelling story with a superb portrayal by Cassandra Hollis.”
ÂÂMattie, Johnny and Smooth White StonesÂÂ is a story a film that provides a rare look into the personal lives of slaves. Mattie and Johnny are two slaves who are in love and decide to runaway to get married when they secretly learn that Johnny is going to be sold. A surprising twist occurs and audiences see the role that Faith played in leading runaways on their journey to freedom. Filmmaker/Actress, Cassandra Hollis, explains why this story needs to be told.
ÂÂAfter studying real slave narratives of slaves who braved the elements and consequences to run away to freedom, I realized that I personally had not seen many film portrayals outside of the great Harriet Tubman about runaway slaves. And few films about slavery address the love relationships that slaves experienced. This was an opportunity to bridge those two narratives all within the context of Faith. It was only God who led them through rugged woods, snow, slave catchers, you name it, to their freedom.ÂÂ
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A short film is popular among independent movie makers. It is made with cheaper cost and gives more room to express freely. However, there are some movie makers who only consider it as a step stone to a film with long story.
A short film, in the truth, is not a reduction of long films or is not only a plane of training. This film has its own characteristics that are different from long film. This film is not narrower in meaning or even easier to make.
As analogy, in literature world, a good writer of short story does not surely write a novel well. On the contrary, a writer of novel does not surely understand the way a short story talks.
As an expression media, short film is always marginal from the point of view of the viewers because it cannot get the proper media for distribution and exhibition. So, this film is not like short story in literature world.
Technically, short film is a type of films that has duration below 50 minutes. Even though there are other limitations that arise from several other sides in the world, this technical limitation is hold by most sides conventionally. Related to the way this film talks, it gives freedom for its makers and viewers. That is why, its form varies.
The duration of short film can be 60 seconds. The most important thing is the idea of the film and the use of its communication media can last effectively. The most interesting thing from this film is when the variations create the new state of minds about film generally, and then give many contributions to the cinema development.