Oct 282011
short film
by Canadian Film Centre

The 67th Venice Film Festival will premiere the anticipated new action film, Machete, conceived as an expansion of the faux Grindhouse trailer, directed by Robert Rodriguez with Ethan Maniquis. The International Jury for the Competition at the 67th Venice International Film Festival has been selected, with American director and screenwriter Quentin Tarantino as president. American Director Julie Taymor’s The Tempest has been chosen as the closing night film (Out of Competition) for the close of the festival, September 11.

Each year the Salento International Film Festival introduces filmmakers worldwide to the Salento area’s resources, while celebrating the history and future of the film industry. This year the guest country is Mexico, and to celebrate the bicentenary of Mexican independence from Spain (1810 – 2010), and the centenary of Mexican revolution (1910-2010), Salento International Film Festival under the guidance of the Mexican Embassy in Italy will dedicate ample resources to the Mexican culture represented by its folklore, music, and traditional food. A traditional Mexican Fiesta Party happens September 3 while the festival continues till September 12.

UNESCO, the UN Office for Partnerships, and Wheel Houz combine efforts on International Literacy Day, Wednesday, September 8, for the Symposium, “Literacy: An Essential Foundation for Development” to be moderated by CBS News Chief National Correspondent and author, Bryon Pitts. Speakers include Laura Bush, Honorary Ambassador for the UN Literacy Decade; Irina Bokova, Director-General, UNESCO; and Jacob Atem, Founder, Home at Southern Sudan Health Care and former “Lost Boy of Sudan.” and creations by iconic 1970s pop artist, Peter Max. Seating is limited and early registration is strongly recommended.

Popkomm 2010 International Music Business Market and Showcase, presents artists to an international audience of interested specialists from the world of media and music at concerts and showcases in more than seven clubs and venues. Exhibiting labels are in attendance to showcase their artists who perform in all musical genres. There are three activity areas to Popkomm: B2C and B2B marketplaces, conference and festival — the live music segment of Popkomm. In 2010, Popkomm is an integral part of the first “Berlin Music Week”. Popkomm takes place in the historical (and decommissioned) Airport Berlin – Tempelhof, the world’s largest integrated building complex when it was built in 1923, and often referred to as the “mother of all airports”. It is still regarded third largest building in the world after Peking Airport and the Pentagon. The New Music Award together with the Popkomm opening party will take place at Airport Berlin – Tempelhof (entrance hall) on September 7, and the festival carries on through September 10.

The Americana Music Association is a professional trade organization whose mission is to provide a forum for the advocacy of Americana music, host a yearly Americana Conference, publish the weekly Americana Airplay Chart, produce the annual Americana Awards Show, participate in other industry events that advocate and support this genre of music noted as an amalgam of roots musics formed by a confluence of sounds from folk, country, rhythm & blues, rock & roll, but popularly referred to as alternative country. That includes the annual Convention & Festival, running this year, September 8-11 in Nashvillle.

SCENEPR!, a career event organizer and networking hub for media entrepreneurs and professionals working in independent film, launches its first major social event for the month, September 9, SoHo, New York, geared to a crowd made up of musical artists, filmmakers, photographers, models, and other creatives, to enjoy ambient sounds, exchange business cards and ideas. Attenders are also encouraged to bring headshots, postcards and other promotional material for distribution. With an international call for entries, the group is beginning a new short film series with subjects of any genre, shot in HD, titled, Cinematique, the first screening set for September 15 in Astoria. Then, on September 29, SCENEPR! presents “The Main Event,” a recurring event series for men (and women) who want to learn how to maximize their time, better their health, augment their careers, improve their looks/style, networking, education, male bonding, professional enrichment, and for fun.

BMI will present its President’s Award to founding member of the Black Eyed Peas, will.i.am, at the 10th Annual Urban Awards ceremony. The BMI President’s Award is presented on unique occasions recognizing an individual who has distinctly and profoundly influenced the entertainment industry. This honor celebrates will.i.am’s work as an artist, producer, and humanitarian. This invitation-only event will also honor the world’s premier r&b, rap and hip-hop songwriters, producers and publishers of the past year’s top urban music, as well as crown the Urban Songwriter, Song and Publisher of the Year. The Awards will be hosted by Del R. Bryant, President & CEO of BMI, and Catherine Brewton, Vice President, Writer/Publisher Relations, Atlanta.

A recurring theme for this year’s annual Martha’s Vineyard International Film Festival, September 9-12, is “Other Places”, and about 90% of film selections are non-US productions, helping to fulfill the festival mission of promoting cross-cultural understanding through film. Opening night there’s a sunset cocktail reception with live music on the roof of the Mansion House Inn overlooking Vineyard Haven harbor. Friday and Saturday night feature post-screening parties with world music, prepared appetizers, and refreshing drinks provided by festival sponsors. Closing night will be on the deck of the Vineyard Haven Marina where Festivalgoers will hear live bluegrass by Ballyhoo, appetizers by Vineyard faves Blue Canoe restaurant, Net Result, and Il Tesoro of the Charlotte Inn along with libations from the fest sponsors.

During this year’s 35th Toronto International Film Festival, opening September 9-19, industry professionals host the “Meet With…” series of informal and intimate information sessions on pressing topics in today’s film industry. The sessions give insight into the fundamentals of the business and craft of filmmaking. Filmmakers’ Lounge, formerly the Match Club, is a new meeting space for Festival filmmakers and industry professionals, and the site for panels and industry sessions as well as a place to meet, work, dine, have a drink and talk films. Now in its seventh year, Talent Lab is presented by Canadian Initiatives during the Toronto International Film Festival and is an intensive four-day artistic development program that provides emerging talent with an opportunity to learn from established film artists.

The West Coast Documentary and Reality Conference in Santa Monica, September 13-15, brings together accomplished producers, directors, writers, network executives, agents and distributors for stimulating discussions, as well as networking opportunities. WESTDOC runs two areas of professional interest, designated as The Documentary Village and The Reality Village. Attendees and speakers are able to take full advantage of both of these arenas and to select seminars from any village they choose. The third day of the conference is entirely devoted to PitchFest, a live presentation for Documentary and Reality producers to pitch new concepts to network and development executives for potential acquisition in front of a live audience.

The Oldenburg Film Festival is a non-competitive film festival, and embraces an “open” format for what it screens. There is a cinema-trailer part to the festival that is usually popular highlight, stressing off-beat innovations and ideas to stimulate the festival audience. Another feature of the festival, which goes from September 15-19, “Speed Pitch,” is overseen by the Wirtschaftsförderung Oldenburg, which functions as an economic development zone, which is focusing on the promotion of creative businesses by creating networks between economic development agencies and creative entrepreneurs.

The Boston Film Festival opens September 17-23 this year. This year there will be a 35th Anniversary screening on Opening Weekend of Steven Spielberg’s legendary film Jaws, starring Roy Scheider, Richard Dreyfus. The festival’s Closing Night film is a special sneak preview of Iron Cross, a thriller starring the late Roy Scheider as Joseph, a retired New York police officer and Holocaust survivor. Evening receptions are hosted by the region’s signature chefs and restaurants where filmmakers are able to network, and for the festival’s closing night, special events will feature the recording Group Ernie and The Automatics with a special performance by James Montgomery.

As the annual Independent Film Week and Filmmaker Conference gets underway in New York, September 19-23, the Project Forum offers a meetings-driven forum connecting filmmakers who have new narrative and documentary projects with industry executives interested in identifying projects with which to become involved with at the financing or distribution stage. Another new section, IFP Independent Filmmaker Labs, will introduce and support “under-the-radar” new talents — first-time feature directors who have little previous industry exposure and live outside the film hubs of New York and LA — providing them with the access, mentorship and tools necessary to ensure that their unique stories reach audiences. Opening each day at the Filmmaker Conference, a “Conversations With…” series sponsored by Kodak, features one-on-one, in-depth discussions with luminary writers, directors, executives and new-media experts about their experiences in the industry and where filmmaking is heading next.

Held annually each fall in New York City, the birthplace of modern television, and this year from September 20-25, the New York Television Festival brings all interested parties together to celebrate the medium and to help shape its future. NYTVF’s Independent Pilot Competition has put in place a pipeline allowing producers, writers, and directors to showcase their original TV pilots directly to the decision-makers of the industry. Along with the Independent Pilot Competition, the Festival presents parties, seminars, and other special events designed to honor television as an institution and as an art form. Launched in 2007, the TV Festival PassPort Program offers an opportunity for outstanding TV producers, writers, and directors to showcase their work on an international stage through an exchange program.

Opening in Port of Spain September 22 and running through October 2, the trinidad + tobago film festival presented by FLOW and supported by Trinidad and Tobago Film Company, mounts an exhibition of films made in the Caribbean region, including Latin American countries in the Caribbean Basin, Caribbean people of the Diaspora, and international filmmakers that reflect Caribbean culture and way of life both in the Caribbean and the Diaspora. Also, continuing the ttff’s heritage initiative, that started last year with a focus on the cinema of India, the Festival is this year focusing on African cinema. Also, this year the ttff will present, in association with the Embassy of the Federative Republic of Brasil, a showcase of Brazilian cinema with Daniela Thomas who will be hosting a mini-retrospective of her work. During her slated time, she will be leading a workshop on directing feature length films with screenings of her work at Studio Film Club.

The Film Society of Lincoln Center opens the 48th New York Film Festival September 24, running it through October 10, in New York City. The Festival includes main slate program selections along with special events, panel discussions, the experimental film showcase, Views from the Avant-Garde, and more. The Film Society of Lincoln Center was founded in 1969 to celebrate American and international cinema, to recognize and support new filmmakers, and to enhance awareness, accessibility and understanding of the art among a broad and diverse film going audience. One NYFF special event will be, Cameraman: The Life and Work of Jack Cardiff, screening with A Matter of Life and Death and Dracula (George Melford, Director) the 1931 Spanish-language version of the classic tale freshly accompanied by an eerie live solo guitar performance by guitarist, composer, and Grammy-nominated songwriter Gary Lucas.

Opening in Nashville September 27 and running into October 3, International Bluegrass Music Association Week, the annual business conference for the bluegrass music industry with artist showcases, an exhibit hall totaling more than 100 booths, professional development seminars, member constituency meetings, one-on-one networking, and more. From October 1-3, certain highlighted activities will be, Fan Fest, an indoor music festival featuring performances by some of the industry’s top acts, a Masters Workshop Stage, a Roots & Branches Stage, exhibit hall, and scores of jam sessions. This year’s International Bluegrass Music Awards Show happens on September 30 of the event week. The After Hours presentations are part of the overall event, but are hosted by individual groups and organizations, and are ticketed and do require conference registration or a music pass to attend or take part in.

Organizers for the Pop Montreal International Music Festival claim to have an open interpretation of what pop music is, and so it admits a wide range of artists and genres. So as the program opens September 29, its FilmPop category will showcase, Dark Night Of The Soul is a music and visual art project put together by Danger Mouse, Sparklehorse and a host of guest vocalists with a collection of original David Lynch photography, who’s imagery is wholly inspired by and based on the music providing a visual narrative to the record. Then, aside from the music, Lil Biz, a small business conference for artists, designers and the self-employed, offers four workshops that are completely free. Puces Pop Record Fair, will be a two day Record Fair in the Mile End featuring volumes of record collectors, instrument repairs and international and local indie record labels. This event runs along side Puces POP, Montreal’s largest do-it-yourself festival where over one hundred local and international artists, crafters, and indie record labels come to sell their wares.

The above events are only a sample of what is fully listed. Complete details are on the “Media, Entertainment and Performing Arts Industry News and Events” page which will now have a language translation button to convert its contents into any chosen language. The companion video news summary can be found on the podcast blog as well as on the most popular video sharing sites. Last month the video news summary featured Grey Duck Production’s ‘The Telephone Game’, Matt Oakey of Toronto based music and film producers, Padded Cell Productions with ‘Little Noise’, Indian Slap Bass master out of Kerala, India, Jayen Varma, Parisian film director Vince Bosco with latest work, ‘Beyond Love’, Pop Rock  band out of  São Paulo, MegaRex. Follow the posting of the news summary on Twitter. Streaming video can now be played directly into your Real Media Player, and your Windows Media Player. Past video from the monthly video news summary is archived on the Free Home Video Showcase which now serves as an archive for all past video presentations but without the audio news narration.

Copied from SQLJ » Short Film Articles

Apr 102011

A few nice new release movie images I found:

housing bubble..if i pop, you’re screwed!! …..item 3..US homes lost to foreclosure up 25 pct on year (September 2010) …..item 5…The financial fallout was an ‘Inside Job’……
new release movie

"If the people understood the rank injustice of the money and banking system, there would be a revolution by morning." – Andrew Jackson "

Our goal is gradually to absorb the wealth of the world." – Cecil Rhodes. "

The Federal Reserve is the most corrupt institution the world has ever seen." – US Congressman Luis McFadden. "

Banks loan money they DO NOT HAVE" – John Maynard Keynes. "

A "loan" made by a bank is a clear addition of money into the community." – Encyclopedia Britannica, 14th ed.
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…..item 1)…web-link……yahoo news…Housing Optimists Are "Not Paying Attention" to the Facts, Says Dean Baker

Posted May 12, 2010 10:02am EDT by Heesun Wee in Investing, Banking, Housing
Related: xhb, ^dji, ^gspc, xlf, tlt, tbt

finance.yahoo.com/tech-ticker/housing-bulls-are-"not…,^dji,^gspc,xlf,tlt,tbt

Among the crowded ranks of economists and market watchers, Dean Baker stands out. Baker presciently called the housing bubble when he published “The Run-up in Home Prices: Is It Real or Is It Another Bubble?” in 2002.

So does our guest Baker see the so-called housing recovery now? "No. I mean I think people that are saying that just aren’t paying attention to what’s in front of their eyes," says Baker, an American economist and co-director of the Center for Economic and Policy Research.

"I think we’re going to see a big fall-off in purchases for the rest of 2010 and even into 2011,” Baker says. “So the idea that somehow the market is stable, that housing prices will rise anytime soon – it’s really hard to make a case for that."

Baker lays out several reasons for his bearish case:

* Programs that lifted the market, including the tax credit for first-time buyers, have expired.
* The Federal Reserve is exiting the mortgage market, which will likely push rates to 5.5% to 6% by the end of the year.
* There’s still an inventory glut and rental rates are falling in many markets, notes Baker, author of "False Profits: Recovering from the Bubble Economy." He says the rental market doesn’t lie.

Naturally the housing bulls disagree. Hedge-fund manager John Paulson, for example, said housing prices in hard-hit California will begin to rise this year, setting the stage for a wider recovery, as the FT reports.

So what are the chances of, say, another tax credit or purchase of mortgage-backed securities? "I think they’d be reluctant to do that because of the signal it would send," Baker says in the accompanying clip. "I mean it would send this unambiguous signal things really are bad, worse than had been advertised."

Click on the player to learn about Baker’s idea to let struggling homeowners stay in their homes, and prevent home inventory from climbing even higher.
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…..item 2)…….housing bubble….flickr member…TheTruthAbout…

farm4.static.flickr.com/3078/2683703739_818b785616.jpg

Excess…

I took this photo while just north of Los Angeles in the city of Santa Maria. It’s been one of the harder-hit areas of California, despite being fairly close to pricey and always fashionable Santa Barbara. Perhaps too much building/supply and simply not enough demand was the problem here. This particular photo was taken right off the 101 freeway, and actually only captured a handful of the many, many real estate signs planted on the patch of growth by the on-ramp. I was immediately drawn to the scene, as I felt it summed up the housing bubble perfectly, which in my opinion, has been all about excess – photo courtesy The Truth About Mortgage
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…..item 3)…..Yahoo! News …bought to you by Yahoo! Finance….US homes lost to foreclosure up 25 pct on year

By ALEX VEIGA, AP Real Estate Writer

Thursday September 16, 2010

news.yahoo.com/s/ap/20100916/ap_on_bi_ge/us_foreclosure_r…

LOS ANGELES – Lenders took back more homes in August than in any month since the start of the U.S. mortgage crisis.

The increase in home repossessions came even as the number of properties entering the foreclosure process slowed for the seventh month in a row, foreclosure listing firm RealtyTrac Inc. said Thursday.

In all, banks repossessed 95,364 properties last month, up 3 percent from July and an increase of 25 percent from August 2009, RealtyTrac said.

August makes the ninth month in a row that the pace of homes lost to foreclosure has increased on an annual basis. The previous high was in May.

Banks have been stepping up repossessions to clear out their backlog of bad loans with an eye on eventually placing the foreclosed properties on the market, but they can’t afford to simply dump the properties on the market.

Concerns are growing that the housing market recovery could stumble amid stubbornly high unemployment, a sluggish economy and faltering consumer confidence. U.S. home sales have collapsed since federal homebuyer tax credits expired in April.

That’s one reason fewer than one-third of homes repossessed by lenders are on the market, said Rick Sharga, a senior vice president at RealtyTrac.

"These (properties) are going to come to market, but very slowly because nobody wants to overwhelm a soft buyer’s market with too much distressed inventory for fear of what it would do for house prices," he said.

As a result, lenders are putting off initiating the foreclosure process on homeowners who have missed payments, letting borrowers stay in their homes longer.

The number of properties receiving an initial default notice — the first step in the foreclosure process — slipped 1 percent last month from July, but was down 30 percent versus August last year, RealtyTrac said.

Initial defaults have fallen on an annual basis the past seven months. They peaked in April 2009.

Still, the number of homes scheduled to be sold at auction for the first time increased 9 percent from July and rose 2 percent from August last year. If they don’t sell at auction, these homes typically end up going back to the lender.

More than 2.3 million homes have been repossessed by lenders since the recession began in December 2007, according to RealtyTrac. The firm estimates more than 1 million American households are likely to lose their homes to foreclosure this year.

In all, 338,836 properties received a foreclosure-related warning in August, up 4 percent from July, but down 5 percent from the same month last year, RealtyTrac said. That translates to one in 381 U.S. homes.

The firm tracks notices for defaults, scheduled home auctions and home repossessions — warnings that can lead up to a home eventually being lost to foreclosure.

Among states, Nevada posted the highest foreclosure rate last month, with one in every 84 households receiving a foreclosure notice. That’s 4.5 times the national average.

Rounding out the top 10 states with the highest foreclosure rate in August were: Florida, Arizona, California, Idaho, Utah, Georgia, Michigan, Illinois and Hawaii.

Economic woes, such as unemployment or reduced income, are now the main catalysts for foreclosures.

Lenders are offering a variety of programs to help homeowners modify their loans, but their success rates vary. Hundreds of thousands of homeowners can’t qualify or fall back into default.

The Obama administration has rolled out numerous attempts to tackle the foreclosure crisis but has made only a small dent in the problem. Nearly half of the 1.3 million homeowners who enrolled in the Obama administration’s flagship mortgage-relief program have fallen out.

The program, known as Making Home Affordable, has provided permanent help to about 390,000 homeowners since March 2009.

Regardless, many troubled borrowers have seen their efforts to get a loan modification stymied.

Larry Book of Winter Garden, Fla., was one packet away from a permanent loan modification from Chase under the Obama administration’s foreclosure prevention plan after more than a year of back and forth and one failed attempt.

But his modification never went through. Instead, his loan was transferred from Chase to IBM Lender Business Process Servicers in July and he was told he owed ,562.62 and must bring his mortgage current by Sept. 15 or foreclosure proceedings will begin.

"It just becomes too exhausting," Book said about the modification process. "That’s why some people walk away. But I’ve invested too much and given up too much to just let it go."
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AP Real Estate Writer J.W. Elphinstone in New York contributed to this report.
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…..item 4)…..Yahoo! News…..6 Trillion Retirement Deficit…September 2010

CNBC EXCLUSIVE

news.yahoo.com/video/business-15749628/21910261#video=219…

There’s a .6 trillion gap between what Americans will need to retire and what they will actually have, according to a Retirement USA study. CNBC’s Scott Cohn has the details.
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…..item 5)….website….Marketplace……..The financial fallout was an ‘Inside Job’….with youtube video…

Wednesday, September 15, 2010

Kai Ryssdal talks to Director Charles Ferguson about his new documentary "Inside Job," which explores the causes of the 2008 financial crisis.

photo of …..Director Charles Ferguson. (Ian Gavan/Getty Images)

images.publicradio.org/content/2010/09/15/20100915_charle…

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marketplace.publicradio.org/display/web/2010/09/15/pm-the…

TEXT OF INTERVIEW

KAI RYSSDAL: I know I said yesterday that I’m not a big fan of anniversary stories, but this is kind of a big week. Two years ago today, Lehman Brothers went broke, kicking off a stretch of a crazy couple of months that we’re still trying to recover from.

Documentary filmmaker Charles Ferguson has a new movie out — "Inside Job, it’s called — that tries to explain what happened that fall and to figure out who’s to blame.

So that’s where we started when we talked, with me asking whether it’s possible to blame individuals for the whole financial crisis, or whether the problems on Wall Street were more systemic?

CHARLES FERGUSON:What has happened is that a very substantial fraction of the financial services industry has come to be outside the law, and as it has become increasingly powerful, it has attracted increasingly amoral people. Its behavior has become more and more dangerous to the financial system and to the American economy.

RYSSDAL: There was also a sort of trend of not talking about any of this stuff. There’s a great moment in the film when one of the few regulators you’ve got on camera was Christine Lagarde, the French finance minister. And you started asking her about Lehman Brothers, and when she found out that it was going under.

FERGUSON: When were you first told Lehman in fact was going to go bankrupt?

CHRISTINE LAGARDE:After the fact.

FERGUSON: After the fact? Wow, OK. And what was your reaction when you learned of it?

LAGARDE:Holy cow.

RYSSDAL: Clearly, we’re connected financially, but not so much along the lines of communication, huh?

FERGUSON: I was truly, truly dumbstruck when I learned the extent of the ignorance and disconnect in this, of the American regulatory system during the crisis. Paulson, Bernanke, were astonishingly ignorant of the consequences of their decision. They did not understand foreign bankruptcy laws, they did not understand that all transactions in London would be halted and then that would cause catastrophic financial results cascading throughout the financial system almost immediately.

RYSSDAL: I want to play something from the film. It’s Allan Sloan, he’s a senior editor at Fortune magazine. He’s a well-respected financial writer. He tells a little story.

ALLAN SLOAN: A friend of mine who’s involved in a company that has big financial presence said, "Well, it’s about time you learned about sub-prime mortgages." So he set up a session with his trading desk and me. And the techie who did all this gets very excited, runs to his computer, pulls up in about three seconds this Goldman Sachs issue of securities. It was a complete disaster. Borrowers had borrowed on average 99.3 percent of the price of the house, which means that they had no money in the house.

RYSSDAL: So for all the blame that Allan puts on Goldman Sachs — and certainly they deserve it — what about Americans looking in the mirror and saying, you know what, a little bit of this is our fault too.

FERGUSON: Well, certainly that’s true to some extent. There was a bubble, and it was a big bubble and many people bought houses that they couldn’t afford and were careless with regard to the loan documentation that they signed. But over half of people who received sub-prime mortgages actually would have qualified for a less expensive prime mortgage. They were steered into more expensive sub-prime mortgages by mortgage brokers who were paid extra money the more expensive the loan they made was. So it was something that was cultivated, and in many regards, forced upon the American people by the financial services industry.

RYSSDAL: How come nobody went to jail?

FERGUSON: Well, there’s a simple obvious answer and then there’s a deeper, more complicated answer, which I don’t fully understand. The simple obvious answer is that this has become an out-of-control industry; a very, very powerful industry.

RYSSDAL: What’s the more subtle reason that you haven’t quite figured out?

FERGUSON: For some reason that I truly don’t understand, this situation has not generated the level of popular outrage that similar or comparable things have generated at other times in American history. There have been other times in American history — some recent, some long ago — when our leaders, our business leaders, and/or our political leaders, have done something terribly wrong and more than once, the American people have risen up and said, "We simply will not permit this." And that hasn’t happened here, yet. I think that part of the reason that it hasn’t happened might be that people think that finance is too complicated for them to understand, and that the situation is too complicated for them to understand. And indeed one reason that I made the film is to make it clear that actually they can understand it.

RYSSDAL: Charles Ferguson, his new film is about the financial crisis and the events of fall two years ago and how it got there. It’s called "Inside Job." Mr. Ferguson, thanks so much for your time.

FERGUSON: Thank you.
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…..item 6)……website….DNAinfo….Manhattan Local News…..New York Film Festival Documentary Tackles Wall Street Greed

October 1, 2010 7:23am

Director Charles Ferguson explores the financial meltdown.

dnainfo.com/20101001/manhattan/new-york-film-festival-doc…

MIDTOWN — Academy Award-winning director Charles Ferguson has shifted his sights from the origins of the Iraq War to greed on Wall Street.

The director of "No End in Sight," which examined the Bush Administration’s actions leading up to the war in Iraq, traces the root causes of the financial meltdown in his latest film, "Inside Job," showing Friday and Monday at the New York Film Festival.

"It’s important that the American people understand what happened here," Ferguson said in an interview with DNAinfo. "I hope that people come away with an understanding…that is hasn’t been fixed yet, and that it’s up to us, the American people to fix it."

Ferguson said even he was taken aback by some of what he learned over the course of interviews with top economists, politicians, scholars and even a Wall Street psychotherapist, who detailed the cocaine habits of senior management level bankers.

Glenn Hubbard, dean at Columbia University’s business school, is taken to task in the film for his ties to leading financial services firms. Ferguson argues that big consulting fees corrupt economic scholarship.

While the film’s message is far from cheery, it features an upbeat soundtrack with songs from Peter Gabriel and Russell Ballard as well as narration from actor Matt Damon. In between interviews, the camera lingers on shots of the Manhattan skyline at dusk and dawn, and zooms down on Learjets, yachts and Long Island mansions.

"I wanted the film to look cool, but also I wanted to convey that New York is a big place, and there is a lot of money here," Ferguson said. "Certainly when we took film of the Hamptons, I wanted to convey to people where all that money was going."

The "Inside Job" will be released in theaters on Oct.8.
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…..item 7)….

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Letsatsi, the White lion. (Son of Temba)
new release movie

IMG01491 Highest position: 321 on Friday, September 4, 2009

The white lion is occasionally found in wildlife reserves in South Africa and is a rare color mutation of the Kruger subspecies of lion (Panthera leo krugeri). It has been perpetuated by selective breeding in zoos around the world. White lions are not a separate subspecies and they have never been common in the wild. Regarded as divine by locals, white lions first came to public attention in the 1970s in Chris McBride’s book The White Lions of Timbavati. The greatest population of white lions is in zoos where they are deliberately bred for color. The population of the white lion is unknown but the most recent count was in 2004 and 30 were alive. White lions are not albino lions. Instead, the white color is caused by a recessive gene known as chinchilla or color inhibitor. They vary from blonde through to near white, however some can also be red. This coloration gives white lions a distinct disadvantage in nature because they are highly visible. This gives them away to their prey and makes them an attractive target for hunters. According to Linda Tucker, in "Mystery of the White Lions – Children of the Sun God" they are bred in camps in South Africa as trophies for canned hunts.

White lions were first recorded in 1928 and in the early 1940s. In 1959, a pride with two white cubs was seen near Tshokwane in Kruger National Park, but later vanished. Albino lions had been recorded in the area according to David Alder ton’s book "Wild Cats Of The World". In 1974, a light Grey lion cub was born at Birmingham Zoo, Alabama.

In 1975, two white cubs were seen at Timberland Game Reserve, adjacent to Kruger National Park. Their story is detailed by Chris McBride in his book "The White Lions of Timbavati". The two cubs, Temba (Zulu for "hope") and Tombi ("girl") had a tawny brother called Vela (‘surprise’). In 1975, a white female cub called Phuma ("to be out of the ordinary") was sighted in the Timberland pride.

A few months later Temba, Tombi, and Vela (who carried the recessive white mutation) were taken to the National Zoo in Pretoria, South Africa. Temba sired several cubs. Tombi had a white cub in 1981, it was low in health but survived. Vela sired a litter, they grew up to be strong unusually one out of the 4 cubs was white while the rest were almost blond. The white lions in the Ouwehands Dierenpark (Netherlands) and a private South African Zoo appear to be from Temba, or possibly Vela, lines. A few other white or blond cubs were born in Timberland after Temba, Tombi, and Vela were removed. Another white lion bloodline, possibly part of the Timbavati bloodline, comes from a white male captured in the Timberland area in the late 1980s and kept by a private reserve.

Temba has left descendants in captivity. A heterozygous tawny lion at Pretoria Zoo carries the mutation and most likely pass this on to his offspring. Two heterozygous tawny males from the Cincinnati Zoo are now at a private reserve in Africa. A white female and a heterozygous tawny male were sent to the Zoological Animal Reproduction Center in Indiana, USA. A second female was put together with another but didn’t get along so they were separated for some time until they were comfortable in their surroundings.

In 2003, the Global White Lion Protection Trust (WLT) initiated the first ever reintroduction of white lions to their natural endemic range – the Greater Timbavati region in South Africa. Preliminary results have shown that the hunting success of the white lion pride was comparable to or higher than the wild prides (‘normal’ coloured / tawny) of the Timbavati itself (Turner 2005, Turner in prep.). This pride of "all" white lions has shattered the misperception that white lions cannot hunt successfully (within their natural endemic habitat) due to a perceived lack of camouflage. The long-term objective of the WLT is to restore the natural balance by reintroducing an integrated pride/s of white and tawny lions within their endemic range. White lions are a unique contribution to the biodiversity of the region and are revered by the local communities that hold them sacred.

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www.news24.com/Entertainment/SouthAfrica/Lion-movie-highl…

Michelle Faul
Broederstroom – Each year, lions are raised in captivity in South Africa and then set loose in enclosed areas where hunters, many from the United States, gun them down. The toll in what one filmmaker calls slaughter, not sport: About 1 000 lions each year.

Kevin Richardson hopes a new movie White Lion, which opens in a few US cities on Friday, will give people second-thoughts about participating in such hunts.

No hope

"I just can’t understand how anyone would want to shoot a lion that is clearly confined to a finite space with absolutely no hope in hell of ever escaping the so-called hunter," said Richardson, a self-taught "Lion Whisperer" and first-time film producer. "Canned lion hunting, in my opinion, is likened to fishing with dynamite in a pond and then calling yourself a fisherman."

White Lion is about a rare white lion, who as a cub is cast out of his pride because of his colour. He is near starvation when he befriends an older lion who teaches him the ways of the wild. John Kani, a Tony Award-winning actor and playwright, is the storyteller. A young man helps the lion, whose name is Letsatsi, because his Shangaan tribal tradition says a white lion is God’s messenger and must be protected. Tension builds as Gisani becomes a tracker on a game farm where he and a foreign hunter encounter Letsatsi.

Revenue source

Trophy hunting is big business in South Africa, worth .2m a year, according to the Professional Hunters Association of South Africa. Foreign tourists pay up to 000 to shoot a lion.

The government promotes hunting as a revenue source and calls it a "sustainable utilisation of natural resources". Provincial governments sell permits allowing hunters to kill rhinos, elephants – even giraffes. Hunters killed 1 050 lions in 2008, the last year for which figures are available, according to the South African Predator Breeders Association.

The hunters’ association says 16,394 foreign hunters – more than half from the United States – killed more than 46,000 animals in the year ending September 2007.

Bred in captivity

Almost all lions hunted under permit in South Africa are bred in captivity. But a new report by Animal Rights Africa says animals that wander out of the huge Kruger National Park into neighbouring private reserves have become fair game.

About 3 600 lions were kept in breeding facilities in 2009, to be sold to zoos, safari farms and for hunting on game farms, said Albi Modise, spokesperson for South Africa’s Department of Environment.

Animal Rights Africa says trophy hunting is incompatible with South Africa’s push into ecotourism, noting that ad campaigns promoting tourism and game viewing showcase the same species that are offered up to be hunted. The government in 2007 introduced legislation that would reduce the financial incentive to breed lions for the hunt but the Predator Breeders Association challenged the laws and earlier this year won an appeal.

Filming limited

Richardson, the movie’s producer, first befriended a pair of lion cubs at the Lion Park outside Johannesburg 12 years ago, when the cubs were 6 months and he was 23. He began shortening his hours as a therapist in postoperative rehabilitation to play with his new friends. Soon, park owner Rodney Fuhr offered him a part-time job which became full time.

Today, Richardson cares for 39 lions at his 800-hectare Kingdom of the White Lion in Broederstroom, an hour and a half drive from Johannesburg, where the film was shot to include tawny gold lions as well as those born white because of a recessive gene.

Lions are nocturnal and spend most of the day sleeping, so filming was limited to a couple of hours in the morning and perhaps another couple in the afternoon – if the cats were willing. Letsatsi was portrayed by several different lions over the four years it took to make the movie. A cuddly cub filmed in the summer of 2006 might be sprouting a mohawk-style tuft of hair the following year, the precursor to a mane.

Richardson said he breaks every rule in the book in handling lions. On a recent morning, the lions welcomed Richardson with rumbling purrs. One shut his eyes in ecstasy and rolled onto his back as Richardson scratched his chin. Another licked Richardson’s hand, the tongue as rough as sandpaper. Too many licks can cause bleeding.

Attacked twice

Two 180kg lions wrestled him to the ground and a lioness jumped on his back, covering Richardson for a tense minute. He emerged from a tangle of furry blond limbs, face red. One lion threw a casual paw on Richardson’s shoulder.

"Ugh, no claws you naughty boy!" he admonished, slapping away a paw larger than his face.

He’s been attacked by his lions twice. Once during filming, a lion named Thor grabbed Richardson’s arm and pinned him against the cage holding the camera crews, who looked on terrified and unable to help.

"I thought: There goes my arm, and it’s my own fault. I was provoking him to get a fight sequence that we needed," Richardson said. The lion stared him in the eyes for what seemed five minutes but couldn’t have lasted more than a few seconds, before releasing him, he recalled.

"Lions are 99% chill and & lethal," Richardson said.

- SAPA

NYTimes: Superheroes
new release movie

This is a visualization of the frequency of the words ‘Superman’, ‘Batman’ and ‘Spider-man’ in New York Times articles since 1981.

The big spikes are all surrounding the release of movies. It’s interesting to see two things: the climb of Spider-Man from obscurity to household name, and the general increase of mentions of superheroes as a whole.

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Feb 222011



Seattle, WA (PRWEB) September 16, 2010

On September 26 IndieFlix will bring Film Festival in a Box to America’s biggest living room: Times Square. Film Festival in a Box ($ 14.99) is the new interactive movie game where friends watch, judge and rate real films, filmmakers and actors. The launch takes place on the mammoth JumboTron screen where players and passers-by will watch four light-hearted and romantic short films, vote on their favorite and be entered to win prizes including a 3-day 2-night stay in the private villa Casa Soleado in Cabo San Lucas and copies of the Film Festival in a Box game.

Film Festival in a Box creator and IndieFlix CEO Scilla Andreen says, “On September 26 we’re bringing the game, and a whole lot of love, to the pedestrian mall at 47th Street with the intent to have fun, spark conversation, and awaken a new generation of audiences to the joy of independent film.” Flash mobs, schwag and more will mark the game’s launch at the “Love in Times Square” event. Details are at www.IndieFlix.com– look for Love in Times Square to learn more.

The new game featuring the works of indie film talents brings the fun of a film fest into players’ homes and parties: “meet ‘n greets”, Best Picture awards and all. Players of the Film Festival in a Box game watch four short flicks on DVD, grouped by genre (such as Love, Comedy, Pottymouth, or Zombie) then discuss and debate. Players make their decisions then go online to IndieFlix.com where they join the buzz of the virtual film festival by voting for Best Picture, Best Performance and Best Original Story. The actual filmmakers and crews can meet the Film Festival in a Box players right there online, making for a vibrant game experience with all the behind-the-scenes connectivity that’s best about a truly great film festival. The Film Festival in a Box game ($ 14.99) is available online at Drugstore.com and at independent retailers like Annie’s Blue Ribbon General Store in Brooklyn, Fred Segal (Zero Minus Plus) in Santa Monica, and NuBe Green in Seattle.

IndieFlix www.IndieFlix.com is a multi-platform film distribution company founded in 2004 to help independent filmmakers take advantage of new media and connect with their audience. IndieFlix promises to build a fair and open market to empower filmmakers to be the engine of their achievement and audiences to be a vital part of a movie’s success. IndieFlix is launching the movie game, Film Festival in a Box, to remind the world that independent film is more than just unique, visionary and honest: it’s also a lot of fun.

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Jan 012011

Los Angeles, CA (Vocus) September 14, 2007 -

– After receiving hundreds of film submissions from around the globe, the Cinema City International Film Festival (CCIFF) Committee is proud to announce & excited to showcase the chosen 2007 film selections. Cinema City is excited to launch its inaugural year collaborating with Suzanne De Laurentiis Productions, hosting Universal AMC Cinemas, Universal City Walk, Universal City/North Hollywood Chamber of Commerce and the Universal City Hilton.

“We were both thrilled and overwhelmed with the number of quality films that were submitted for our first year,” says Suzanne De Laurentiis, Festival Co-Creator.

The Cinema City International Film Festival (CCIFF) is sure to excite filmmakers around the world and promises to join the ranks of other top Film Festivals with National acclaim and recognition. The combination of festival location, partners, sponsors and supporting production team will garner competitive submissions, resulting in an outstanding array of diverse and exciting features, documentaries and short films. CCIFF will also present an elaborate schedule of red carpet events, parties and student showcases. Festival honorees are set to be announced shortly.

For a complete listing of events, seminars and schedule updates, please visit www.cciff.com

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